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New York – Pablo Picasso: “Picasso Black and White” at The Guggenheim Museum through January 23rd, 2013

Sunday, November 4th, 2012

Go See – New York: Pablo Picasso ‘Picasso: Themes and Variations,’ Museum of Modern Art through August 30th, 2010

Monday, May 17th, 2010

AO Breaking News – Pablo Picasso Painting Incurs 6-inch Tear at Metropolitan Museum of Art, New York

Monday, January 25th, 2010

Picasso’s Stepdaughter, Catherine Hutin-Blay to Open Museum to Artist

Friday, February 9th, 2018

Pablo Picasso Painting Stays in Met Collection

Friday, February 9th, 2018

Water Mill, NY — John Graham: “Maverick Modernist” at The Parrish Art Museum Through July 30, 2017

Sunday, July 30th, 2017

Fondation Louis Vuitton Looking to Loan Picasso’s Les Demoiselles d’Avignon for MoMA Show

Friday, December 30th, 2016

Met’s Picasso Masterpiece Subject of Repatriation Lawsuit

Monday, October 3rd, 2016

British Museum Acquires Important Series of Picasso Prints

Monday, September 26th, 2016

New York Times Interviews Museum-Goers for Their Takes on Works

Friday, August 26th, 2016

Paris – “Picasso.Mania” at Grand Palais Through February 29th, 2016

Sunday, February 21st, 2016

MoMA Moving to Timed Tickets for Picasso Sculpture Show

Wednesday, November 4th, 2015

New York – Jim Shaw: “The End is Here” at The New Museum Through January 10th, 2015

Saturday, October 31st, 2015

Stolen Picasso Lost for Over a Decade Discovered in Newark

Saturday, February 28th, 2015

Paris’s Picasso Museum Reopens

Monday, October 27th, 2014

Apple Looks to Picasso for Inspiration

Monday, August 11th, 2014

Major Cubism Exhibition Scheduled For Fall at Metropolitan Museum

Thursday, August 7th, 2014

Cincinnati Art Museum Announces New Director

Wednesday, July 30th, 2014

$24 Million in Insurance Collected For Art Stolen From Rotterdam Museum

Friday, September 13th, 2013

Rotterdam Museum Theft Suspects Promise Return of Works in Exchange for Trial in Netherlands

Tuesday, August 13th, 2013

Picasso’s Granddaughter Launches Ambitious Cataloguing of the Artist’s Sculptures

Sunday, July 21st, 2013

Romanian Woman May Have Burned Picasso, Monet in her Stove

Wednesday, July 17th, 2013

Russian Museums Dispute Famed Art Collection

Saturday, June 8th, 2013

New York – “Matisse: In Search of True Painting” at The Metropolitan Museum of Art, through March 17th, 2013

Sunday, March 17th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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