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Venice – Damien Hirst: Treasures from the Wreck of the Unbelievable at the Palazzo Grassi and Punta Della Dogana Through December 3rd, 2017

Tuesday, June 6th, 2017

Protestors Dump Animal Dung Outside Palazzo Grassi in Protest Over Damien Hirst Show

Wednesday, March 15th, 2017

AO On-Site – Venice: Rudolf Stingel at Palazzo Grassi Through December 31st, 2013

Thursday, June 6th, 2013

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

Damien Hirst Interviewed by New York Times

Thursday, March 15th, 2018

Damien Hirst Interviewed in The Times

Tuesday, December 19th, 2017

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Damien Hirst’s New Show Profiled in The Guardian

Monday, March 27th, 2017

Damien Hirst Looks to Rebook Market in Venice this Spring

Wednesday, February 22nd, 2017

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

More Wealthy Collectors Founding Their Own Museums

Thursday, November 20th, 2014

New York – Rudolf Stingel at Gagosian Gallery Through April 19th, 2014

Saturday, April 12th, 2014

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

François Pinault Profiled in Wall Street Journal

Thursday, May 23rd, 2013

Los Angeles – Jonathan Wateridge “Inter + Vista” at L&M Arts, through March 16th, 2013

Thursday, March 7th, 2013

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011

Go See – New York: ‘Unpainted Paintings’ at Luxembourg & Dayan through May 27th 2011

Friday, May 13th, 2011

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Jeff Koons sets up at the Palace of Versailles, France in September

Friday, August 8th, 2008

Galleries

Thursday, December 27th, 2007

Francois-Henri Pinault

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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