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Russian Performance Artist Sets Fire to Doors of Bank of France

Tuesday, October 17th, 2017

Solange Knowles to Debut New Performance in Front of Donald Judd Work in Marfa

Friday, August 25th, 2017

Hermann Nitsch Performance Set to Go Forward in Tasmania

Sunday, April 30th, 2017

Hermann Nitsch Performance Sees Protests Over Slaughter of Bull

Thursday, April 20th, 2017

Performa Announces Artist Commissions, Focus on Dada for This Year’s Edition

Wednesday, March 8th, 2017

Performa Adds New Board Members, President of Board

Saturday, February 4th, 2017

Mark Beasley Appointed First-Ever Curator for Media and Performance at Hirshhorn Musuem

Monday, December 5th, 2016

Ulay Revisits His 1976 Art Heist Performance in Berlin

Wednesday, October 26th, 2016

Fiac Launching Performance Art Festival in Conjunction with Louvre

Friday, August 12th, 2016

Theaster Gates to Curate New Performance Series at Hirshhorn

Thursday, August 11th, 2016

Jerome Bêl Launching Performance Featuring MoMA Staff This Fall

Thursday, July 14th, 2016

Jeffrey Deitch to Open Former Space with Performances by Eddie Peake

Thursday, July 7th, 2016

Greek Museum’s Performance Art Show a Hit for Somber Themes

Monday, April 11th, 2016

Charges Against Russian Performance Artist Changed to Attack on “Cultural Site”

Thursday, March 31st, 2016

Performance Artist Ulay to Perform in NYC This May for First Time in 30 Years

Wednesday, March 23rd, 2016

Performa Announces New Leadership and Board of Directors

Thursday, February 25th, 2016

Shia LeBeouf Interviewed in Guardian On Interest in Performance Art

Tuesday, December 15th, 2015

New York – Jennifer Bornstein “New Rubbing and Psychological and Performance Tests”at Gavin Brown’s Enterprise – Through December 6, 2015

Sunday, November 29th, 2015

New York – Juliana Huxtable: “There Are Certain Facts that Cannot Be Disputed” at MoMA for Performa 15, November 14th, 2015

Friday, November 20th, 2015

New York – Jesper Just and FOS “in the shadow/ of a spectacle/ is the view of the crowd” at 225 Liberty Street for Performa 15, November 13th, 2015

Thursday, November 19th, 2015

Performa Opens in New York

Tuesday, November 3rd, 2015

New York Times Looks at Belgrade’s Thriving Performance Scene

Thursday, June 25th, 2015

MIT Lecturer and Artist Awaits Sentencing for Bank Robbery He Claims was Performance Art

Sunday, June 21st, 2015

Chris Burden, Landmark Performance Artist and Sculptor, Passes Away at 69

Monday, May 11th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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