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MoMA’s Kathy Halbreich to Head Rauschenberg Foundation

Thursday, September 28th, 2017

New York – Robert Rauschenberg: “Among Friends” at MoMA Through September 17th, 2017

Tuesday, September 12th, 2017

The New Yorker Recalls Receiving Robert Rauschenberg’s Smallest Works

Wednesday, May 31st, 2017

The Late Robert Rauschenberg Profiled in NYT

Monday, May 15th, 2017

Robert Rauschenberg Profiled in New York Review of Books

Tuesday, April 25th, 2017

Christie’s Announces Rauschenberg and Rothko Top Lots for London Sales Next Month

Tuesday, January 17th, 2017

Art Newspaper Details Studies on Rauschenberg’s “Monogram” Goat

Saturday, December 24th, 2016

Sotheby’s Brings on Rauschenberg Foundation CEO Christy MacLear to Advise on Artist Estates

Sunday, December 18th, 2016

The Tate Modern Borrows Major Rauschenberg Assemblage for Retrospective

Saturday, July 30th, 2016

Rauschenberg Foundation Allowing Fair Use of Artist’s Works

Tuesday, March 1st, 2016

New York – Robert Rauschenberg: “Anagrams, Arcadian Retreats, and Anagrams (A Pun)” at Pace Gallery Through December 12th, 2015

Sunday, November 8th, 2015

Rauschenberg Foundation Announces Grants Dealing with Mass Incarceration

Friday, September 25th, 2015

Tate Modern Announces 2016 Exhibitions for Georgia O’Keefe and Robert Rauschenberg

Monday, July 27th, 2015

Robert Rauschenberg Foundation No Longer Represented by Gagosian

Wednesday, April 22nd, 2015

Rauschenberg Foundation Announces “Artist as Activist” Grants

Sunday, September 14th, 2014

Rauschenberg Foundation Appeals $24.6 Million Court Decision

Friday, August 15th, 2014

Rauschenberg Trustees Win Court Case for $24.6 Million

Monday, August 4th, 2014

Rauschenberg Foundation Announces Young Curators Competition

Tuesday, July 8th, 2014

Rauschenberg Estate Trial Nearing Conclusion

Thursday, June 26th, 2014

ArtNews Profiles Rauschenberg Foundation’s Commitment to Ambitious Works

Wednesday, March 26th, 2014

Robert Rauschenberg Foundation Announces 2013 SEED Grants

Sunday, October 13th, 2013

Rauschenberg Foundation to Launch Marfa Dialogues in New York

Wednesday, July 17th, 2013

London – “The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns” through June 9th, 2013, Barbican London

Friday, June 7th, 2013

London – Robert Rauschenberg: “Jammers” at Gagosian Gallery, through March 28th 2013

Saturday, March 23rd, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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