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New York – Ryder Ripps: “Alone Together” at Red Bull Studios Through April 12th, 2015

Thursday, April 9th, 2015

New York: “Spaced Out: Migration to the Interior” Curated by Phong Bui at Red Bull Studios Through December 12th, 2014

Tuesday, November 11th, 2014

New York – Peter Coffin: “Living” at Red Bull Studios Through September 16th, 2014

Tuesday, June 24th, 2014

New York – DIS: “DISown” at Red Bull Studios Through April 6th, 2014

Thursday, March 13th, 2014

Blocks of Artist Studios to be Demolished in Moscow

Monday, January 25th, 2021

New York: Independent NY at Spring Studios, March 6th – 8th, 2020

Thursday, March 5th, 2020

AO On-Site – New York: Independent New York at Spring Studios, March 7th – 10th, 2019

Saturday, March 9th, 2019

AO On-Site – New York: NADA New York at Skylight Clarkson, March 8th – 11th, 2018

Sunday, March 11th, 2018

AO Preview: New York Armory Week: March 4th-9th, 2014

Tuesday, March 4th, 2014

DIS Announces Diffusion Art Line to Launch Next Month

Tuesday, February 18th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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