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The Guardian Publishes Special Series Exploring Age and Art Featuring Richard Deacon, Laure Prouvost and Others

Tuesday, November 17th, 2015

Paris – Richard Deacon: “Alphabet, Sculptures & Dessins” at Galerie Thaddaeus Ropac Through September 30th, 2014

Monday, September 15th, 2014

London – Richard Deacon at Tate Britain Through April 27th, 2014

Tuesday, April 15th, 2014

New York: Richard Deacon at Marian Goodman Through January 25th, 2013

Wednesday, January 23rd, 2013

Richard Deacon

Friday, November 28th, 2008

Deceased Artists

Thursday, July 7th, 2011

Go See-London: Henry Moore at Tate Britain through August 8th 2010

Saturday, March 13th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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