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AO On Site – New York (with video): Rob Pruitt 'Pattern and Degradation' at Gavin Brown's Enterprise and Maccarone through October 23, 2010

Wednesday, September 22nd, 2010

AO Preview – Miami: Art Basel Miami Beach and Miami Art Week, December 3rd – 8th, 2019

Sunday, December 1st, 2019

AO Preview – Art Basel Hong Kong at the Hong Kong Convention Center, March 27th – 31st, 2019

Tuesday, March 26th, 2019

AO On-Site – Basel: Art Basel at Messe Basel Through June 18th, 2017

Tuesday, June 13th, 2017

New York – Printed Matter’s 11th Annual New York Art Book Fair, September 16th-18th, 2016

Friday, September 16th, 2016

AO Auction Recap – London: Phillips Contemporary Evening Sale, June 29th, 2015

Monday, June 29th, 2015

DiCaprio’s 11th Hour Auction Vastly Exceeds All Sales Estimates with $38.5 Million Grand Total

Wednesday, May 15th, 2013

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Photoset – New York: Frieze Art Fair Summary at Randall’s Island Park, May 4-7, 2012

Thursday, May 10th, 2012

New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

AO On Site Photoset – New York: RxArt’s Annual Benefit 2011, Thursday, September 22nd, 2011

Tuesday, September 27th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site Interview – New York: Performance Group CHERYL at Move!, MoMA PS1

Saturday, November 13th, 2010

AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

AO ON SITE: URS FISCHER & GAVIN BROWN @ TONY SHAFRAZI GALLERY, MAY 9 – JULY 12, 2008

Monday, May 12th, 2008

RxArt: The People

Monday, October 29th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Whitney Releases Artist List for 2021 Biennial

January 27th, 2022

The Whitney has released a 63-artist list for its upcoming Biennial, which will open this April, under the title “Quiet as It’s Kept.” “The Whitney Biennial is an ongoing experiment, the result of a shared commitment to artists and the work they do,” curators David Breslin and Adrienne Edwards said in a statement. “While many of these underlying conditions are not new, their overlapping, intensity, and sheer ubiquity created a context in which past, present, and future folded into one another. We’ve organized the exhibition to reflect these precarious and improvised times. The Biennial primarily serves as a forum for artists, and the works that will be presented reflect their enigmas, the things that perplex them, the important questions they are asking.”
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Charles Ray Profiled in NYT

January 27th, 2022

Charles Ray gets a profile in the NYT this week, as he prepares to open a new show at The Met. “The pace and rate at which Ray works are important,” says Hamza Walker, the director of the nonprofit art space LAXART in Los Angeles. “It’s perverse on the one hand; he could sit with something for 20 years.” Ray, he observes, “distills down what we think we know, and it somehow becomes resonant, and produces reflections that show there’s so much more here than you know.”


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Stuart E. Eizenstat Profiled in NYT

January 24th, 2022

A piece in the New York Times profiles Stuart E. Eizenstat, the diplomat and lawyer who has long advised on the process of restituting Nazi-looted art, and who will now take on his first court case seeking the return of an allegedly looted Camille Pissarro. “No self-respecting government, art dealer, private collector, museum or auction house should trade in or possess art stolen by the Nazis,” he says.

Read more at NYT

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