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Art News Interviews Ruth Asawa

Monday, February 4th, 2019

R.I.P. Artist Ruth Asawa, Aged 87

Friday, August 9th, 2013

LACMA’s Collectors Committee Weekend Sees Focus on Women Artists

Monday, April 23rd, 2018

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

Jonathan Laib Leaves Christie’s to Join David Zwirner

Friday, January 6th, 2017

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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