Search Results

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

Paris – “David Salle/Francis Picabia” at Galerie Thaddaeus Ropac through February 23, 2013

Sunday, February 17th, 2013

AO On Site: New York – Francis Alÿs “Reel-Unreel”At David Zwirner Gallery, Through February 9,2013

Monday, January 14th, 2013

New York: Francis Picabia ‘Late Paintings’ at Michael Werner Gallery through January 14, 2012

Thursday, January 12th, 2012

Don’t Miss – New York: “Locations” featuring works by Sol Lewitt, Carl Andre, Francis Alÿs, John Baldessari, Catherine Opie, Dan Graham and others at Paula Cooper Gallery through June 11, 2011

Tuesday, June 7th, 2011

AO On Site (With Video) – New York: Francis Cape “The Other End of the Line” at Gansevoort Plaza under the High Line

Thursday, November 11th, 2010

Go See – London: Francis Alÿs at the Tate Modern until September 5th

Friday, July 9th, 2010

Go See – Rome: Caravaggio and Francis Bacon, Side-by-Side, in a Commemorative Exhibition at Galleria Borghese through January 24th, 2010

Thursday, November 26th, 2009

Francisco Goya

Wednesday, March 19th, 2008

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, June 27th, 2016

Tuesday, June 28th, 2016

AO Auction Recap – New York: Sotheby’s Post-War and Contemporary Evening Sale, May 11th, 2016

Wednesday, May 11th, 2016

New York – Karel Appel at Blum & Poe Through November 1st, 2014

Thursday, October 30th, 2014

AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012

Wednesday, October 19th, 2011

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO Onsite – Auction Results: Christie’s New York Post-War & Contemporary Art Evening Sale and works from the Collection of Michael Crichton – headlined by Jasper Johns $29 million Flag

Wednesday, May 12th, 2010

Go See – Lausanne, Switzerland: Cézanne to Rothko at Fondation l’Hermitage, Featuring Braque, Warhol, Ernst, Twombly, Giacometti, Bacon, Renoir, Monet, and more, through October 25, 2009

Tuesday, August 25th, 2009

Newslinks for Saturday, June 13, 2009

Saturday, June 13th, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

Los Angeles – Ron Nagle: “Ice Breaker” at Matthew Marks Gallery Through April 8th, 2017

Friday, March 24th, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

AO Auction Previews – London: Surrealist, Impressionist and Modern Art Evening Sales, February 28th – March 1st, 2017

Thursday, February 23rd, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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