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Sandro Botticelli

Monday, December 1st, 2008

Italy Cancels Botticelli Loan to Israel in Light of Potential War in Syria

Wednesday, September 11th, 2013

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

Auction Recap: Old Master’s Week in New York City

Monday, February 4th, 2013

German Culture Minister Promises New Museum for Old Masters in 4 to 6 Years

Tuesday, January 8th, 2013

Christie’s Tests Old Master Market in China

Friday, December 21st, 2012

Deceased Artists

Thursday, July 7th, 2011

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

Go See – London: Titian's "Triumph of Love" at The National Gallery, Through September 20, 2009

Monday, August 3rd, 2009

AO Newslink

Thursday, July 12th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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