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Berlin – Senga Nengudi at Sprüth Magers Through September 8th, 2018

Wednesday, August 29th, 2018

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Ai Weiwei Creates Face Masks to Benefit COVID-19 Charities

May 29th, 2020

Ai Weiwei has created a set of surgical masks to aid coronavirus charities. “It is such a waste. There is so much argument around the mask,” he says of the face mask as a cultural artifact of the era. “A face mask weighs only three grams but it carries so much state argument about global safety and who has it and who doesn’t have it.”
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Adam Lindemann Sues to Break Lease on Venus Over Manhattan Space in NY

May 28th, 2020

Collector and dealer Adam Lindemann is suing real estate mogul Aby Rosen to break his lease on the Venus Over Manhattan space at 980 Madison Avenue in New York, asserting he can no longer due business there due to the COVID-19 pandemic. “Is it only the tenant’s responsibility when the tenant can’t use the space as intended or may never be able to?” says Errol Margolin, the gallery’s lawyer. “When you have a gallery opening, you have 500 people. If you have social distancing, how can you have 500 people in the future?”
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Philadelphia Museum of Art Employees Seek Union

May 28th, 2020

Workers at the Philadelphia Museum of Art are seeking to unionize, Art Newspaper reports.  “The PMA serves the people of Philadelphia, and it must emerge from the Covid-19 crisis as a safe, accessible and equitable place where all can engage with the arts,” the group of organizers said. “For this to be possible, working people must have a seat at the table in museum decision-making.”
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