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AO On Site – New York: Spencer Sweeney 'The Pharoah's Lounge' at Gavin Brown's enterprise through December 17, 2011

Tuesday, December 13th, 2011

AO On-Site – Mexico City: Zona Maco Art Fair, February 8th – 12th, 2017

Friday, February 10th, 2017

AO On-Site – Los Angeles: Printed Matter’s LA Art Book Fair, February 11th – 14th, 2016

Monday, February 15th, 2016

AO On Site – New York: Opening of White Column’s “Do Your Thing” exhibit Saturday, June 9, on view through July 14, 2012

Thursday, June 14th, 2012

AO On Site – New York: André Saraiva’s “Andrépolis” and Portrait of a Generation double show at The Hole from June 7 to August 10, 2012

Friday, June 8th, 2012

AO On Site – New York: Hanna Liden ‘Ghost Town’ at Maccarone Gallery through June 16, 2012

Wednesday, May 30th, 2012

New York: E.V. Day and Kembra Pfahler, Opening of ‘Giverny’ and ‘An Oje at the Hole’ at The Hole through April 24, 2012

Monday, April 2nd, 2012

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010

AO On Site, with interview with Kathy Grayson – New York: Opening of “Not Quite Open for Business” at The Hole, through August 21, 2010

Monday, June 28th, 2010

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010

Rev your engines and strap on your gasmask, Aaron Young is uptown

Tuesday, September 18th, 2007

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Pace Gallery to Represent Acconci Studios

February 24th, 2018

Vito Acconci, via PacePace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement.  “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Frieze to Launch Los Angeles Edition Next February

February 24th, 2018

frieze-london-via-art-newsFrieze has announced plans for a Los Angeles edition of its fair, to be held February 14 to 17, 2019, the Art News reports. Bettina Korek of ForYourArt has been appointed executive director of Frieze LA, with Ali Subotnick serving as the fair’s curator. “Frieze is in a unique position to create a successful fair in LA because of our experience in London and New York and our partnership with Endeavor, who have deep roots in LA and will work with us to bring a fantastic audience to the fair,” founder Victoria Siddall says.
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Adrienne Edwards Tapped as New Performance Curator at Whitney

February 24th, 2018

Adrienne Edwards, via Art NewsThe Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance. She previously worked with Performa, where she organized various thematic presentations, including last year’s “Afroglossia,” focused on African performance art. “Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms,” Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said. “She brings to the Whitney a wonderful complement of scholarly rigor, social commitment, and a deeply humane understanding of artists and their audiences.”
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