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London – “Peter Fischli / David Weiss: Walls, Corners, Tubes” at Sprueth Magers, Through November 10th, 2012

Saturday, November 3rd, 2012

Go See – Berlin: John Baldessari’s ‘Double Feature’ at Sprueth Magers through October 29, 2011

Saturday, October 15th, 2011

Go See – London: Philip-Lorca DiCorcia “ROID” at Sprueth Magers through June 18th, 2011

Thursday, June 9th, 2011

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010

Go See – Berlin: Gary Hume at Sprueth Magers through August 21, 2010

Saturday, July 24th, 2010

Go See – Berlin: Cyprien Gaillard at Sprueth Magers through January 16, 2010

Thursday, January 7th, 2010

Los Angeles- John Baldessari at Sprüth Magers through December 9, 2017

Tuesday, November 28th, 2017

Berlin – Barbara Kruger: ‘FOREVER’ at Sprüth Magers Through December 22nd, 2017

Friday, November 10th, 2017

Berlin – Jon Rafman: “Dream Journal ’16-’17” at Sprüth Magers Through December 22nd, 2017

Wednesday, October 25th, 2017

Berlin – Thomas Ruff: “New Works” at Sprüth Magers Through August 26th, 2017

Saturday, August 19th, 2017

Sprüth Magers to Represent Estate of Otto Piene

Wednesday, April 19th, 2017

Berlin – Robert Morris: “Refractions” at Sprüth Magers Through January 14th, 2017

Wednesday, January 11th, 2017

Berlin – Sterling Ruby: “The Jungle” at Sprüth Magers Through October 29th, 2016

Saturday, October 29th, 2016

Los Angeles – “Eau de Cologne” at Sprüth Magers Through August 20th, 2016

Thursday, August 18th, 2016

London – Sterling Ruby: “Work Wear: Garment and Textile Archive 2008 – 2016″ at Sprüth Magers Through April 9th, 2016

Thursday, March 24th, 2016

Berlin – “Dreaming Mirrors Dreaming Screens” at Sprüth Magers Through April 2nd, 2016

Wednesday, February 24th, 2016

Berlin – Ed Ruscha: “Metro Mattresses” at Sprüth-Magers Through January 16th, 2016

Wednesday, November 18th, 2015

Berlin – Cyprien Gaillard: “Where Nature Runs Riot” at Sprüth Magers Through July 18th, 2015

Wednesday, June 24th, 2015

London – Karen Kilimnik at Sprüth Magers Through June 20th, 2015

Sunday, June 14th, 2015

Berlin – Louise Lawler: “No Drones” at Sprüth Magers Through January 17th, 2015

Thursday, January 15th, 2015

Sprüth Magers Purchases 14,000 Sq Foot Space in Los Angeles

Thursday, September 11th, 2014

Berlin – Fischli/Weiss: “Eine Ansammlung Von Gegenständen” at Sprüth Magers Berlin Through August 30th, 2014

Friday, August 22nd, 2014

London – Andreas Gursky: “Early Landscapes” at Sprüth Magers, Through June 21st 2014

Friday, June 20th, 2014

London – Alexandre Singh: “The Humans” at Sprüth Magers Through March 29th, 2014

Tuesday, March 18th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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