Search Results

Go See: ‘Sonne, Mond und Sterne,’ by Fischli and Weiss, at Spruth Magers Gallery, Berlin, through January 21st, 2009

Saturday, December 27th, 2008

Frieze Awards Stand Prizes to Sprueth Magers, Blank Projects, Wong Ping

Thursday, October 4th, 2018

Berlin – Jon Rafman: “Dream Journal ’16-’17” at Sprüth Magers Through December 22nd, 2017

Wednesday, October 25th, 2017

Berlin – Sterling Ruby: “The Jungle” at Sprüth Magers Through October 29th, 2016

Saturday, October 29th, 2016

Los Angeles – John Baldessari at Sprüth Magers Through April 9th, 2016

Monday, March 21st, 2016

London – Karen Kilimnik at Sprüth Magers Through June 20th, 2015

Sunday, June 14th, 2015

Sprüth Magers Purchases 14,000 Sq Foot Space in Los Angeles

Thursday, September 11th, 2014

Berlin – Fischli/Weiss: “Eine Ansammlung Von Gegenständen” at Sprüth Magers Berlin Through August 30th, 2014

Friday, August 22nd, 2014

London – Andreas Gursky: “Early Landscapes” at Sprüth Magers, Through June 21st 2014

Friday, June 20th, 2014

London – Alexandre Singh: “The Humans” at Sprüth Magers Through March 29th, 2014

Tuesday, March 18th, 2014

Berlin – John Baldessari: “Storyboard (in 4 Parts)” at Sprüth Magers Through November 2nd 2013

Saturday, September 21st, 2013

Berlin – Peter Fischli and David Weiss at Sprüth Magers Through April 13th, 2013

Thursday, April 4th, 2013

London: Donald Judd ‘Working Papers: Donald Judd Drawings 1963-93′ at Sprüth Magers through February 8, 2012

Saturday, January 28th, 2012

Go See – Berlin: John Baldessari’s ‘Double Feature’ at Sprueth Magers through October 29, 2011

Saturday, October 15th, 2011

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010

Go See – Berlin: George Condo at Sprüth Magers through March 2010

Saturday, February 13th, 2010

Go See – Berlin: John Baldessari ‘Hands and/or feet (part two)’ at Sprüth Magers through January 16, 2010

Monday, December 28th, 2009

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

AO On Site (with photoset)- New York: INDEPENDENT Art Fair, March 8–11, 2012

Tuesday, March 13th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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