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New York – Sue Williams: “Paintings 1997-98″ at Skarstedt Gallery Through April 21st, 2018

Wednesday, March 14th, 2018

New York – Sue Williams at 303 Gallery Through April 14th, 2017

Tuesday, April 11th, 2017

NEW YORK – SUE WILLIAMS: ‘WTC, WWIII, COUCH SIZE” at 303 GALLERY THROUGH FEBRUARY 22ND 2014

Saturday, February 15th, 2014

Go See-New York (With On Site Video): Sue Williams at 303 Gallery, Curated by Nate Lowman, Through October 23, 2010

Tuesday, October 12th, 2010

New York – Christopher Williams: “The Production Line Of Happiness” At MoMA Through November 2nd, 2014

Monday, September 22nd, 2014

AO On Site – Williamsburg, Brooklyn: Photoset and Interview with Noémie Lafrance ‘The White Box Project’ Performance at Black & White Gallery Saturday, September 17th; performance runs through September 24-25

Friday, September 23rd, 2011

New York — “Painting: Now and Forever, Part III” at Matthew Marks Gallery and Greene Naftali Through August 17, 2018

Monday, July 30th, 2018

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO Preview – Art Basel Hong Kong, May 15th – 18th, 2014

Tuesday, May 13th, 2014

Los Angeles: Regen Projects’ Inaugural Exhibition of New Gallery at 6750 Santa Monica Boulevard on Sept. 22nd

Monday, September 24th, 2012

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

NEW YORK – NICK CAVE: “THE LET GO” AT PARK AVENUE ARMORY THROUGH  JULY 1ST, 2018

Monday, June 11th, 2018

AO On-Site – Los Angeles: Printed Matter’s LA Art Book Fair, February 11th – 14th, 2016

Monday, February 15th, 2016

303 Gallery Launching Publishing Imprint

Friday, March 20th, 2015

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

New York: Robert Indiana: “Beyond Love” at the Whitney Museum Through January 5th, 2013

Monday, October 28th, 2013

Los Angeles: Urs Fischer ‘Beds and Problem Paintings’ at Gagosian Gallery through April 7, 2012

Friday, March 30th, 2012

Taipei, Taiwan: Ai Weiwei 'Ai Weiwei, Absent' at Taipei Fine Arts Museum through January 29, 2012

Thursday, January 19th, 2012

Friday, January 13th, 2012

AO On Site – New York: Perfect Man II Curated by Rita Ackermann at White Columns Gallery through October 15, 2011

Sunday, September 18th, 2011

Don’t Miss – San Francisco: Tobias Wong at San Francisco Museum of Modern Art, through July 24, 2011

Monday, July 18th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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