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New York – Tatiana Trouvé: “From March to May” at Gagosian Through October 30th, 2021

Wednesday, October 27th, 2021

Paris and London – Tatiana Trouvé: “A Quiet Life” and “Navigation Map” at Kamel Mennour Through November 24th, 2018

Thursday, November 1st, 2018

Berlin – Tatiana Trouvé: “From Alexandrinenstrasse to the Unnamed Path” AT König Galerie Through March 28th, 2016

Monday, February 22nd, 2016

AO On-Site: Independent NY at Spring Studios, March 2nd – 5th, 2017

Thursday, March 2nd, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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