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Theaster Gates Previews Serpentine Gallery Design

Thursday, February 3rd, 2022

Theaster Gates to Design 2022 Serpentine Pavilion

Wednesday, May 19th, 2021

New York – Theaster Gates: “Black Vessel” at Gagosian Gallery Through January 23rd, 2021

Friday, November 27th, 2020

Theaster Gates Interviewed in The Guardian

Thursday, October 22nd, 2020

Theaster Gates’s New “Black Monastic” Project Aims to Explore Impact of Black Sound and Music

Monday, November 18th, 2019

Theaster Gates to Curate Show of Works from Collection of Beth Rudin DeWoody

Wednesday, August 7th, 2019

Theaster Gates Joins Ava DuVernay to Chair Diversity and Inclusion Council for Prada

Thursday, February 14th, 2019

Theaster Gates Interviewed in The Guardian

Monday, July 9th, 2018

Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

Tuesday, June 19th, 2018

Theaster Gates Wins Nasher Prize for Sculpture

Wednesday, September 20th, 2017

Theaster Gates Unveils Proposal for Park in Chicago’s Washington Park

Tuesday, April 25th, 2017

Theaster Gates Profiled in NYT

Wednesday, March 15th, 2017

Theaster Gates Interviewed in LA Times

Friday, February 10th, 2017

Theaster Gates Profiled in The Guardian

Thursday, January 12th, 2017

Theaster Gates Launching Workforce Initiative in Chicago

Tuesday, November 1st, 2016

Theaster Gates to Curate New Performance Series at Hirshhorn

Thursday, August 11th, 2016

Theaster Gates Wins Germany’s Kurt Schwitters Prize

Tuesday, April 12th, 2016

Interview Profiles Theaster Gates’s Stony Island Arts Bank Project

Thursday, October 8th, 2015

Theaster Gates’s Chicago Art Center to Open This Fall

Thursday, August 13th, 2015

London – Theaster Gates: “Freedom of Assembly” at White Cube Gallery Through July 5th, 2015

Thursday, July 2nd, 2015

Theaster Gates Looking to Launch Sound Art Project in Bristol

Wednesday, June 3rd, 2015

Theaster Gates Interviewed in BOMB

Wednesday, January 14th, 2015

Theaster Gates Profiled in New Yorker

Wednesday, January 15th, 2014

London – Theaster Gates: “My Labor is My Protest” at White Cube Bermondsey Through November 11th, 2012

Wednesday, October 31st, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Hernan Bas’s ‘The Conceptualists’ at The Bass Miami

December 8th, 2023

Hernan Bas's 'The Conceptualists' at The Bas

Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd. This series, which was inspired by the unique hobbies and activities people engaged in during the pandemic, involves the creation of fictitious conceptual artists engaged in eccentric behaviors. These characters are depicted doing bizarre things, which Bas labels as activities of conceptual artists, humorously challenging the boundaries and perceptions of conceptual art itself. 
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Art Basel Miami Preview 2023

December 7th, 2023

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Art Basel Miami Beach 2023 is currently taking place from December 8 to December 10, 2023, at the Miami Beach Convention Center. This edition features 277 international galleries, with a notable presence from North and Latin America, including 25 galleries participating for the first time. The event includes different sectors such as the Meridians, dedicated to large-scale artworks, and the Kabinett, with curated installations. Additionally, the Conversations program offers live debates on art and culture, with a focus on Latin America. The fair also collaborates with various institutions and collections for events across Miami Beach. 
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British Museum to Digitize Collection

October 18th, 2023

Following a string of controversial thefts, the British Museum has announced ambitious plans to digitize its collection. “Following the discovery that objects have been stolen from the collection, we have taken steps to improve security and are now confident that a theft of this kind can never happen again,” says interim director Mark Jones. “It is my belief that the single most important response to the thefts is to increase access, because the better a collection is known – and the more it is used – the sooner any absences are noticed.”
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