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Thomas Ruff Profiled in New York Times

Tuesday, October 10th, 2017

Thomas Ruff Profiled in FT

Wednesday, September 20th, 2017

Berlin – Thomas Ruff: “New Works” at Sprüth Magers Through August 26th, 2017

Saturday, August 19th, 2017

London – Thomas Ruff: “Nature Morte” at Gagosian Gallery Through September 26th, 2015

Friday, September 11th, 2015

New York – Thomas Ruff: “photograms and m.a.r.s.” at David Zwirner Through April 27th, 2013

Friday, April 26th, 2013

London: Thomas Ruff ‘ma.r.s.’ and ‘nudes’ at Gagosian Britannia Street and Davies Street through April 21, 2012

Sunday, April 1st, 2012

AO On Site – New York: Thomas Ruff ‘Zycles and Cassini’ at David Zwirner through March 13, 2010

Friday, February 26th, 2010

Thomas Ruff

Wednesday, March 12th, 2008

Go See – Seoul: Thomas Struth’s ‘Korea 2007-2010′ at Gallery Hyundai Through January 9, 2011

Monday, December 20th, 2010

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

RIP: Hilla Becher, Pioneer of German Photography, Passes Away at 81

Wednesday, October 14th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

AO Preview – New York: Armory Week, March 3rd – 8th, 2015

Wednesday, March 4th, 2015

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Don’t Miss – New York: David Zwirner “The House Without the Door” through August 5th, 2011

Thursday, August 4th, 2011

Living Artists

Thursday, July 7th, 2011

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: “Jeff Koons: Made in Heaven, Paintings” at Luxembourg & Dayan, through January 21, 2010

Monday, October 11th, 2010

Go See: Candida Höfer at Yvon Lambert, Paris, March 8 – April 5

Thursday, March 20th, 2008

AO REVIEW: Brazil’s artmarket at past week’s ARC08 Fair, Spain

Thursday, February 21st, 2008

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site – New York: Zhang Enli at Hauser and Wirth through October 29, 2011

Thursday, September 29th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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