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Go See – New York: Luke Fowler, Keren Cytter, and Tris Vonna-Michell “Phase Two” at X Initiave through October 25, 2009

Monday, August 31st, 2009

Duncan Campbell Wins the 2014 Turner Prize

Monday, December 1st, 2014

Turner Prize Shortlist Announced with Heavy Focus on Film and Installation

Tuesday, September 30th, 2014

Turner Prize Shortlist Announced

Wednesday, May 7th, 2014

AO Newslink

Wednesday, October 31st, 2012

Go See: Tate Triennial ‘Altermodern’ at the Tate Modern, London, through April 26, 2009

Friday, February 6th, 2009

New York – G.T. Pellizzi: “Financial Times” at Mary Boone Gallery, Through March 1st, 2014

Friday, February 28th, 2014

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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