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Vincent Van Gogh Piece from Collection of Elizabeth Taylor Heads to Auction

Wednesday, March 21st, 2018

Research Uncovers New Information on Why Vincent Van Gogh Cut Off Ear

Monday, October 31st, 2016

Writer Traces History of Vincent Van Gogh’s Bed in Arles

Monday, October 31st, 2016

Vincent Van Gogh Museum Looks to Offer Consulting Services

Thursday, May 5th, 2016

BBC Takes a Look at the Early Life of Vincent Van Gogh

Friday, January 30th, 2015

Go See – Basel: Vincent van Gogh ‘BETWEEN EARTH and HEAVEN: The Landscapes’ at Kunstmuseum Basel through September 27, 2009

Saturday, September 12th, 2009

Vincent Van Gogh

Sunday, March 2nd, 2008

Van Gogh’s Sunflowers Quarantined in Tokyo

Friday, February 28th, 2020

Portrait in Norway National Collection Authenticated as Van Gogh

Monday, January 20th, 2020

Van Gogh Sunflowers Head to Australia

Saturday, November 23rd, 2019

Emilie Gordenker to Take Helm at Van Gogh Museum

Wednesday, October 16th, 2019

Art Newspaper Profiles Concierge Behind Over 200 Restored Van Goghs

Wednesday, July 3rd, 2019

Van Gogh ‘Sunflowers’ Featured in NYT

Monday, June 24th, 2019

Van Gogh Lettert to Critic Goes on View in Amsterdam

Thursday, May 9th, 2019

Van Gogh’s Time in London Profiled in NY Review of Books

Tuesday, April 16th, 2019

Van Gogh Painting Revealed to Have Vibrant Color Palette

Monday, March 25th, 2019

Canvas in Hartford Authenticated as Van Gogh Painting

Friday, March 22nd, 2019

Van Gogh Painting in FAMSF Authenticated

Friday, February 1st, 2019

Julian Schnabel Interviewed on Van Gogh Film in New York Magazine

Monday, November 12th, 2018

Tate Britain Announces 2019 Van Gogh Exhibition

Monday, November 5th, 2018

Van Gogh Museum and Mauritshuis End Relationships with Shell

Wednesday, August 29th, 2018

Van Gogh Sunflowers Show Signs of Light Damage

Sunday, June 3rd, 2018

Guggenheim Denied Trump Request for Van Gogh Painting, Offered Gold Toilet Instead

Wednesday, January 31st, 2018

Grasshopper Found Embedded in van Gogh Painting

Monday, November 13th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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