Search Results

New York – Wade Guyton: “Patagonia” at Petzel Gallery Through June 16th, 2018

Tuesday, June 5th, 2018

New York – Wade Guyton: “The New York Times Paintings: November – December 2015″ at Petzel Gallery Through January 14th, 2017

Sunday, January 15th, 2017

New York – Wade Guyton at Petzel Gallery Through February 22nd, 2014

Tuesday, January 28th, 2014

New York: Wade Guyton: “Wade Guyton OS” at the Whitney through January 13, 2013

Wednesday, January 9th, 2013

Go See – Berlin: Wade Guyton at Capitain Petzel through March 5, 2011

Saturday, January 29th, 2011

New York — “Warhol, Wool, Guyton” at Nahmad Contemporary Through January 14th, 2017

Thursday, January 12th, 2017

New York — “Painting: Now and Forever, Part III” at Matthew Marks Gallery and Greene Naftali Through August 17, 2018

Monday, July 30th, 2018

Paris – “Olympia” Curated by Karma at Galerie Patrick Seguin Through November 26th, 2016

Sunday, November 20th, 2016

AO Auction Results – New York: Phillips 20th Century Evening Sale and Christie’s Impressionist and Modern Evening Sale, November 16th, 2016

Wednesday, November 16th, 2016

New York – “Fine Young Cannibals” at Petzel Gallery through August 5th, 2016

Friday, August 5th, 2016

AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Fair Recap – Miami Beach: Art Basel Miami Beach and Miami Art Week, December 2nd – 6th, 2015

Tuesday, December 8th, 2015

AO Auction Recap – New York: Phillips 20th Century and Contemporary Evening Sale, November 8th, 2015

Monday, November 9th, 2015

AO On-Site – New York: The ADAA Art Show, March 3rd-8th, 2015

Saturday, March 7th, 2015

AO Auction Recap – New York: Phillips Contemporary Evening Sale, November 13th, 2014

Friday, November 14th, 2014

AO Auction Preview – New York: Contemporary and Post-War Evening Sales November 11th-13th, 2014

Tuesday, November 11th, 2014

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 16th, 2014

Friday, October 17th, 2014

ADAA Announces Gallery List for 2015 Art Show

Tuesday, September 23rd, 2014

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

Adam Lindemann Reviews the Art World on Instagram

Tuesday, June 17th, 2014

New York – Mark Flood: “Insider Art Fair” and “Available NASDAQ Symbol” at Center548 and Zach Feuer

Saturday, May 31st, 2014

AO Recap – Sotheby’s Contemporary Evening Sale, Wednesday May 14th, 2014

Thursday, May 15th, 2014

New York Times Applies Thomas Piketty’s Economic Theories to Art Market

Monday, April 21st, 2014

Christie’s Loic Gouzer Launches New Auction Night

Tuesday, April 1st, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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