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New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

W Magazine Profiles Curators Behind Whitney Biennial

Friday, March 17th, 2017

New York Times Previews Whitney Biennial

Friday, November 18th, 2016

Whitney Biennial Puts Transgender Voices in Spotlight

Thursday, March 13th, 2014

Charlemagne Palestine on His First Whitney Biennial Installation

Saturday, March 8th, 2014

New York – The Whitney Biennial Through May 25th, 2014

Saturday, March 8th, 2014

Whitney Biennial Welcomes Sculptor Michelle Grabner as Curator

Monday, March 3rd, 2014

New York Times Previews Whitney Biennial, Opening Next Week

Sunday, March 2nd, 2014

Anthony Elms, Whitney Biennial Curator, Profiled in NYT

Sunday, February 16th, 2014

2014 Whitney Biennial Announces Artist List

Saturday, November 16th, 2013

AO On Site – New York: Charles Atlas Performance at Whitney Biennial, April 20–21, 2012

Tuesday, April 24th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

AO Onsite – The Whitney Biennial: 2010 opens at the Whitney Museum of American Art on the Upper East Side in New York

Sunday, February 28th, 2010

AO Breaking News: Artists Announced for 2010 Whitney Biennial in New York

Friday, December 11th, 2009

AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

Round-Up: The Whitney Biennial Opens in New York, Spills into the Armory

Thursday, March 6th, 2008

Whitney Announces 2017 Biennial Curators

Thursday, November 5th, 2015

Whitney Announces Curators for 2014 Biennial

Friday, November 30th, 2012

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007

Whitney Facing Backlash Over Inclusion of Dana Schutz Painting

Wednesday, March 22nd, 2017

Jordan Wolfson’s VR Work for Whitney Biennale Profiled in Art News

Wednesday, March 1st, 2017

AO On Site – New York: Whitney Art Party 2012 at Skylight Soho on Wednesday, June 6

Thursday, June 7th, 2012

Go See – New York: Cory Arcangel "Pro Tools" at The Whitney through September 11th, 2011

Friday, June 10th, 2011

Go See – New York: Tauba Auerbach at The Whitney Downtown through August 29th, 2010

Thursday, August 12th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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