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London – “Bridget Riley: The Stripe Paintings 1961-2014″ at David Zwirner Through July 25th, 2014

Thursday, July 24th, 2014

Bridget Riley Unveils New Commission at London Hospital

Tuesday, April 8th, 2014

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sales, October 6th, 2016

Friday, October 7th, 2016

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 5th, 2016

Wednesday, October 5th, 2016

AO Auction Recap – London: Christie’s “Defining British Art” Sale, June 30th, 2016

Friday, July 1st, 2016

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

AO Auction Preview – Post-War and Contemporary Art Evening Sales in London, June 25th-26th, 2013

Tuesday, June 25th, 2013

Go See – Berlin: Beatriz Milhazes at Galerie Max Hetzler through November 5th, 2011

Thursday, September 15th, 2011

AO Auction Preview – London: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions February 15-17, 2011

Monday, February 14th, 2011

AO Auction Results – London: Christie’s Oct. 14th Contemporary Art Auction in London Brings in 19.6 million GBP, Hirst Sells Under Presale Estimate

Friday, October 15th, 2010

AO Auction Results: Christie’s Post-War & Contemporary Art Evening Sale, London. Results were overall dissapointing, Bacon, Rothko go unsold

Friday, February 13th, 2009

Sotheby’s London Contemporary Art Evening Auction, July 1 – Preview

Tuesday, July 1st, 2008

Newslinks for Wednesday, October 22th, 2008

Wednesday, October 22nd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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