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The New Yorker Profiles Christian Marclay’s New Work

Friday, May 6th, 2016

New York – Christian Marclay: “Surround Sounds” at Paula Cooper Through October 17th, 2015

Friday, October 16th, 2015

London – Christian Marclay at White Cube Bermondsey Through April 12th, 2015

Wednesday, February 18th, 2015

San Francisco – SFMoMA Closing Celebration and Screening of “The Clock” by Christian Marclay, June 2nd, 2013

Thursday, June 6th, 2013

Christian Marclay’s “The Clock” Screens at MoMA, with Special New Year’s Eve Showing

Thursday, December 27th, 2012

AO On Site – New York: SculptureCenter Annual Benefit and Gala honoring Paula Cooper with Performance by Christian Marclay in collaboration with John Baldessari at Edison Ballroom, Wednesday, October 24th, 2012

Monday, October 29th, 2012

New York: Christian Marclay’s ‘The Clock’ at Lincoln Center through August 1, 2012

Monday, July 30th, 2012

Go See – San Francisco: Christian Marclay ‘Cyanotypes’ at the Fraenkel Gallery through October 29, 2011

Saturday, October 1st, 2011

Go See – New York: Christian Marclay ‘The Clock’ at Paula Cooper Gallery Includes Multiple 24 Hour Overnight Screenings Through February 19, 2011

Monday, January 31st, 2011

Don’t Miss-London: Christian Marclay “The Clock” at White Cube through November 13, 2010

Friday, November 12th, 2010

Chrisitan Marclay’s “The Clock” Draws 40,000 Visitors to MoMA

Thursday, January 24th, 2013

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

New York – “Fade In: Int. Art Gallery-Day” at Swiss Institute Through May 19th, 2016

Friday, May 13th, 2016

Hong Kong – Art Basel Hong Kong, May 15th – 18th, 2014

Friday, May 16th, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

AO Newslink

Saturday, September 15th, 2012

AO Newslink

Wednesday, June 6th, 2012

AO Newslink

Friday, April 20th, 2012

AO Newslink

Wednesday, April 18th, 2012

Wednesday, March 28th, 2012

Wednesday, February 1st, 2012

Monday, December 5th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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