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AO Onsite – Watermill, New York: “Voluptuous Panic” Bob Wilson’s 18th Annual Watermill Center Benefit

Monday, August 1st, 2011

New York — “Blackness in Abstraction” at Pace Gallery Through August 19th, 2016

Monday, August 8th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015

Corning Glass Museum Acquires More Contemporary Works for New Expansion

Tuesday, January 20th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

AO Interview – Los Angeles: Nick van Woert “No Man’s Land” at OHWOW

Tuesday, March 26th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – New York: “We the People” at Robert Rauschenberg Foundation, Through November 9th, 2012

Wednesday, October 24th, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Allora & Calzadilla’s “Gloria” at the U.S. Pavilion

Thursday, June 2nd, 2011

AO On Site Photoset – Brooklyn Artist’s Ball co-hosted by Sarah Jessica Parker and Liv Tyler, April 27th

Saturday, April 30th, 2011

AO News Summary: Jorge Pardo wins $500,000 MacArthur ‘Genius’ Grant

Wednesday, September 29th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Greenwich, CT — Jason Rhoades at The Brant Foundation Art Study Center Through April 1st, 2018

Friday, January 5th, 2018

AO On Site at the 54th Venice Biennale 2011: The Courtauld Institute’s “One of a Thousand Ways to Defeat Entropy,” through November 27, 2011

Saturday, June 18th, 2011

AO On Site – New York: ‘Contemplating the Void: Interventions in the Guggenheim’ featuring JONATHAN MEESE, PIPILOTTI RIST, THOMAS HIRSCHHORN and more. Through April 28, 2010

Monday, March 8th, 2010

AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009

AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

May 23rd, 2018

Chris Ofili, Holy Virgin Mary, via BloombergThe New Yorker has a piece on the infamous battle between Rudy Giuliani and Chris Ofili over the artist’s The Holy Virgin Mary, which the then-mayor sought to have removed from a show at the New Museum, and which has now been acquired by MoMA. “When we acquired the work and put it in front of our committee, it looked like it had descended from Heaven,” MoMA curator Laura Hoptman says.
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Germany Looks to Increase Arts Funding by $353 million

May 23rd, 2018

Grutters, via ArtforumGerman minister of culture Monika Grütters has announced plans to increase the nation’s arts funding by approximately $353 million. Grütters feels the budget sends “a strong signal that culture is the foundation for our open and democratic society.” 
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LA Times Profiles Strong Growth for Nigerian Art Market

May 23rd, 2018

Art X Lagos, via LA TimesA piece in the LA Times this week notes the surging popularity of Nigerian art on the international market, and the institutions springing up to cater to a thriving market. “There’s a generation of young, vibrant artists of Nigerian or African origin who have felt that the gallery infrastructure in West Africa is not sufficiently developed for them to connect with the international art market from their home base,” says Tokini Peterside, founder of the Art X Lagos art fair. “For generations, when it comes to exporting its cultural capital and so many other things, Africa has had to go overseas.”
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