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Glenn Ligon’s Curatorial Project, Inspired by Ellsworth Kelly, Profiled in New York Times

Wednesday, June 7th, 2017

Glenn Ligon Featured in NYT’s ‘Show Us Your Wall’ Segment

Saturday, January 28th, 2017

New York — Glenn Ligon: “What We Said The Last Time” and “We Need To Wake Up Cause That’s What Time It Is” at Luhring Augustine Through April 17th, 2016

Thursday, April 14th, 2016

Los Angeles – Glenn Ligon: “Well, it’s bye-bye/If you call that gone” at Regen Projects Through April 18th, 2015

Wednesday, April 15th, 2015

Glenn Ligon Creates Tote Bag to Benefit Harlem’s Studio Museum

Monday, September 22nd, 2014

Glenn Ligon on Having his Work in the Presidential Collection

Wednesday, March 12th, 2014

New York – “Glenn Ligon: Neon” at Luhring Augustine Through January 19th, 2013

Wednesday, December 26th, 2012

Go See – New York: Glenn Ligon, 'America' at the Whitney Museum through June 5th 2011

Saturday, May 7th, 2011

NYT Runs Piece on Artists’ Vision for a Stronger Met Musuem

Monday, July 17th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

New York — “Blackness in Abstraction” at Pace Gallery Through August 19th, 2016

Monday, August 8th, 2016

New York – Jason Moran: “STAGED” at Luhring Augustine Through July 29th, 2016

Sunday, July 24th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – Phillips 20th Century Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, February 9th, 2016

Wednesday, February 10th, 2016

AO Auction Preview – London Post-War and Contemporary Evening Sales, February 9th – 11th, 2016

Tuesday, February 9th, 2016

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015

AO Auction Recap – New York: Christie’s Post-War and Contemporary Evening Sale, November 10th, 2015

Wednesday, November 11th, 2015

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 3rd – 7th, 2014

Thursday, December 4th, 2014

AO Auction Recap – New York: Sotheby’s Contemporary and Post-War Evening Sale, November 11th,2014

Tuesday, November 11th, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

New York – AO Auction Results: Phillips Contemporary Evening Sale, Thursday May 16, 2013.

Friday, May 17th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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