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American Airlines Sued for Damages to Lucio Fontana Work

Tuesday, February 16th, 2016

The Met Considering Lucio Fontana Exhibition at Former Whitney Site

Thursday, July 9th, 2015

Paris – Lucio Fontana: Retrospective at Museum D’Art Moderne Through August 24th, 2014

Wednesday, August 20th, 2014

AO On Site – New York: Sterling Ruby and Lucio Fontana at Andrea Rosen through October 22, 2011

Wednesday, October 19th, 2011

Lucio Fontana

Friday, November 28th, 2008

Major Fontana Painting Authenticated After Long Research Period

Tuesday, March 11th, 2014

New York: “Audible Presence: Fontana Klein Twombly” at Dominique Lévy Through November 16th, 2013

Thursday, September 26th, 2013

New York: 'Afro Burri Fontana' at Haunch of Venison through May 12, 2012

Sunday, April 22nd, 2012

AO Auction Results: Sotheby’s Contemporary Art evening sale, London, Thursday, February 5, 2009, Richter, Koons and Fontana lead robust results

Sunday, February 8th, 2009

AO Auction Results – London: Sotheby’s Contemporary Sale, March 7th, 2018

Thursday, March 8th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

RIP – Enrico Castellani, Figurehead of the Italian Avant-Garde, Passes Away at Age 87

Wednesday, December 13th, 2017

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

New York — Julian Rosefeldt: “Manifesto” at Park Avenue Armory Through January 8th, 2017

Friday, January 6th, 2017

The Telegraph Charts Current State of Italian Art Market in London

Tuesday, October 4th, 2016

Paris – “La Mia Ceramica” at Max Hetzler Through July 16th, 2016

Saturday, July 16th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, June 28th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – New York: Sotheby’s Post-War and Contemporary Evening Sale, May 11th, 2016

Wednesday, May 11th, 2016

New York – Fausto Melotti at Hauser and Wirth Through June 18th, 2016

Saturday, May 7th, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, February 11th, 2016

Thursday, February 11th, 2016

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, February 10th, 2016

Wednesday, February 10th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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