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Matthew Day Jackson Interviewed in New York Times

Wednesday, September 18th, 2013

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010

AO Auction Results – London: Christie’s Post-War and Contemporary Sale Thursday February 11, 2009 – Another highly successful sale confirms Art Market Recovery

Friday, February 12th, 2010

AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol

Thursday, November 12th, 2009

Cornell Tech Campus to Open with Major Art Installations Spread Throughout Building

Friday, September 15th, 2017

Hauser & Wirth to Host Film Series on Rooftop in Chelsea This Summer

Friday, May 19th, 2017

Wall Street Journal Charts the Increasing Size and Scope of Blue Chip Galleries

Monday, September 2nd, 2013

AO Interview – Los Angeles: Nick van Woert “No Man’s Land” at OHWOW

Tuesday, March 26th, 2013

AO Onsite – New York: ‘Dieter Roth. Björn Roth’ at Hauser & Wirth’s New Chelsea Location

Thursday, January 31st, 2013

AO Newslink

Monday, September 17th, 2012

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012

AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010

AO On Site – Paris: FIAC 2010 Mid-Fair News Brief and Photo Set 1 of 2 (final photo set to follow the conclusion of the fair)

Thursday, October 21st, 2010

AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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