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New York – Oldenburg/van Bruggen: “Shelf Life” at Pace Gallery Through November 11th, 2017

Tuesday, November 7th, 2017

Claes Oldenburg is Profiled in New York Times

Tuesday, October 17th, 2017

Claes Oldenburg Featured in Interview Magazine This Month

Thursday, December 10th, 2015

Claes Oldenburg and Coosje van Bruggen Donate 175 Works to Stedelijk Museum

Friday, February 6th, 2015

New York – Claes Oldenburg at the Museum of Modern Art through August 5th, 2013.

Wednesday, July 17th, 2013

Preservationists Work to Restore Oldenburg’s “Floor Burger”

Monday, April 8th, 2013

Bilbao – Claes Oldenburg: “The Sixties” at Guggenheim Museum Bilbao, through February 17th 2013

Saturday, February 16th, 2013

Seoul: Claes Oldenburg and Coosje van Bruggen at PKM Trinity Gallery Through January 15th, 2013

Tuesday, January 15th, 2013

Go See – New York: Claes Oldenburg at the Whitney Museum of American Art, Through September 6, 2009

Tuesday, May 26th, 2009

Claes Oldenburg

Thursday, January 3rd, 2008

New York – Hannah Levy: “Swamp Salad” at C-L-E-A-R-I-N-G, Bushwick Through March 11th, 2018

Sunday, March 11th, 2018

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

MoMA Throws Out Work by 1970’s Artist Pat Lasch

Tuesday, January 24th, 2017

New York — Julian Rosefeldt: “Manifesto” at Park Avenue Armory Through January 8th, 2017

Friday, January 6th, 2017

Bloomberg Looks at Gallery Strategies for Selling Works at Frieze

Wednesday, October 5th, 2016

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

New York – Tacita Dean : ‘…my English breath in foreign clouds’ at Marian Goodman, New York Through April 23, 2016

Saturday, April 23rd, 2016

AO Auction Recap – New York: Christie’s Post-War and Contemporary Evening Sale, November 10th, 2015

Wednesday, November 11th, 2015

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015

New York – Sturtevant: “Double Trouble” at MoMA Through February 22nd, 2015

Thursday, February 5th, 2015

New York- “Re-View: The Onnasch Collection” at Hauser and Wirth Through August 12, 2014

Sunday, April 6th, 2014

New York- “Grounded” at Pace Gallery through February 22nd, 2014

Sunday, February 16th, 2014

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

MGM Grand’s CityCenter Looks to Bring Museum-Quality Art Back to Las Vegas

Monday, September 9th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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