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RIP: Robert Indiana, Defining Voice of American Pop Art, Has Passed Away at 89

Wednesday, May 23rd, 2018

New York – “The Pop Object: The Still Life Tradition in Pop Art” at Acquavella Galleries, through May 24th 2013

Tuesday, May 7th, 2013

Financial Times Looks at Current Popularity of Artist-Curated Shows

Tuesday, September 6th, 2016

Art Newspaper Notes Popularity for Older French Artists in Both Market and Institution

Tuesday, May 3rd, 2016

New York City Arts Organizations Less Diverse Than City Population, Survey Finds

Saturday, January 30th, 2016

Yayoi Kusama Named World’s “Most Popular Artist”

Saturday, April 4th, 2015

Art Production Fund Launches Pop-Up Gallery in Montauk

Monday, July 29th, 2013

Lady Gaga Prepares ARTPOP Project with Koons, Abramovic

Saturday, July 13th, 2013

Popularity of Mirror Works Reflects Current Art Trends at Basel

Thursday, June 20th, 2013

New York: The populist voice of Diego Rivera’s ‘Murals for The Museum of Modern Art’ at The MoMA through May 14, 2012

Friday, March 2nd, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: André Saraiva’s ‘Paris Paris’ Pop-up Karaoke Lounge beneath the Shelborne Hotel, November 30, 2011

Friday, December 2nd, 2011

Go See – Thessaloniki, Greece: ‘RODCHENKO & POPOVA: DEFINING CONSTRUCTIVISM’ at The State Museum of Contemporary Art, through September 20, 2009

Monday, August 3rd, 2009

Miami Art Basel: “Containers” featuring Iggy Pop

Thursday, December 6th, 2007

Art pops at Gagosian in London

Monday, October 29th, 2007

AO On-Site – Basel: Liste Art Fair at Warteck Through June 17th, 2018

Wednesday, June 13th, 2018

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

New York – Borna Sammak: “Hey You’re Part of It” at JTT Through June 17th, 2018

Wednesday, June 6th, 2018

LA Times Profiles Strong Growth for Nigerian Art Market

Wednesday, May 23rd, 2018

Centre Pompidou Expansions Profiled in Art Newspaper

Saturday, May 5th, 2018

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

Pope.L Profiled in NYT

Tuesday, March 6th, 2018

Barbara Jatta Profiled in Art Newspaper

Monday, February 5th, 2018

New York — Ashley Bickerton at The FLAG Art Foundation Through December 16th, 2017

Wednesday, December 13th, 2017

AO Preview – Miami Art Week in Miami Beach, December 5th – 10th, 2017

Monday, December 4th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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