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Tate Liverpool Profiled in BBC

Wednesday, August 15th, 2018

State Tretyakov Effectively Bans Discussion Over Artworks at Museum

Thursday, August 2nd, 2018

Robert Indiana’s Estate Subject of Lengthy NYT Profile

Wednesday, August 1st, 2018

Tate Modern Pierre Bonnard Show to Feature “Slow Looking” Initiatives

Thursday, July 26th, 2018

Robert Motherwell Painting Stolen 40 Years Ago Found Upstate

Tuesday, July 17th, 2018

David Smith Estate to be Helmed by His Daughters

Tuesday, July 10th, 2018

David Zwirner Now Represents Estate of Roy DeCavara

Tuesday, June 12th, 2018

Hauser & Wirth Now Represents Estate of Günther Förg

Friday, June 1st, 2018

LACMA Partners with Arizona State to Create Curator Program Encouraging Diversity and New Voices

Thursday, May 10th, 2018

British Artists Decry State of Nation’s Arts Education System

Thursday, May 10th, 2018

David Zwirner Gallery to Represent Estate of Joan Mitchell

Thursday, May 3rd, 2018

Tate Announces Shortlist for Turner Prize

Thursday, April 26th, 2018

Tate Seeking Young Trustee for Museum Leadership

Friday, April 20th, 2018

Tate Archives Showcases Founding of New Outposts

Friday, April 20th, 2018

Thaddaeus Ropac to Represent Joseph Beuys Estate

Friday, April 13th, 2018

Helen Legg to Take Over at Tate Liverpool

Tuesday, March 20th, 2018

Tania Bruguera Tapped for Tate Modern’s Turbine Hall

Saturday, February 24th, 2018

Group of Arts Professionals Call for Beatrix Ruff’s Reinstatement at Stedelijk

Saturday, February 24th, 2018

Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

Friday, January 19th, 2018

Tate Museum and National Galleries Scotland Break Relationships with Anthony d’Offay Over Claims of Sexual Harassment

Monday, January 15th, 2018

Tate Modern Aims at Current Events with Pair of Tank Installations

Tuesday, December 19th, 2017

Marianne Boesky Represents Estate of Maria Lai

Tuesday, November 28th, 2017

Laura Owens Makes Statement on Protests Against 356 S. Mission Rd

Thursday, November 16th, 2017

Former Tate Britain Director Penelope Curtis Leaves Her Mark on Portugal’s Museu Calouste Gulbenkian

Wednesday, November 1st, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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