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Research Uncovers New Information on Why Vincent Van Gogh Cut Off Ear

Monday, October 31st, 2016

Writer Traces History of Vincent Van Gogh’s Bed in Arles

Monday, October 31st, 2016

Vincent Van Gogh Museum Looks to Offer Consulting Services

Thursday, May 5th, 2016

BBC Takes a Look at the Early Life of Vincent Van Gogh

Friday, January 30th, 2015

Go See – Basel: Vincent van Gogh ‘BETWEEN EARTH and HEAVEN: The Landscapes’ at Kunstmuseum Basel through September 27, 2009

Saturday, September 12th, 2009

Vincent Van Gogh

Sunday, March 2nd, 2008

Grasshopper Found Embedded in van Gogh Painting

Monday, November 13th, 2017

Willem Dafoe to Star in Julian Schnabel-Directed Van Gogh Biopic

Monday, May 22nd, 2017

Attributed Van Gogh Sketchbook Sparks Debate Over Authenticity

Wednesday, November 16th, 2016

Pair of Van Gogh Works Stolen in 2002 Recovered in Italy

Friday, September 30th, 2016

U.S. Government Files Lawsuit, Seizes van Gogh and Monet Works in Connection with Malaysian State Funds Disappearance

Sunday, July 24th, 2016

Art Newspaper Reveals Real Name of Woman Who Received Van Gogh’s Ear

Thursday, July 21st, 2016

Douglas Coupland Searching for Van Gogh Lookalikes

Monday, June 27th, 2016

New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

US Supreme Court Rejects Appeal Over Van Gogh Painting at Yale

Tuesday, March 29th, 2016

Dutch Police Arrest Alleged Forger Asking €15 million for Fake Van Gogh

Monday, August 24th, 2015

Van Gogh Windmill to be Shown for First Time in 100 Years at TEFAF

Monday, March 9th, 2015

Scientists Find Lead Pigment as Cause of Fading Van Gogh Works

Friday, March 6th, 2015

Van Gogh Still Life May Top $50 Million in New York Next Month

Tuesday, September 30th, 2014

Met’s Full Collection of Van Gogh Paintings on View

Wednesday, August 13th, 2014

French Hotel Transformed to Display Van Gogh Works

Thursday, June 19th, 2014

Replica of Van Gogh’s Ear Created from Relative’s Cells

Friday, June 6th, 2014

Lost Van Gogh Recovered From Bank Deposit Box

Tuesday, May 13th, 2014

The Guardian Reflects on the Story of Van Gogh’s “Sunflowers”

Friday, January 17th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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