Search Results

Yoko Ono’s Jean-Michel Basquiat Painting to Sell at Sotheby’s in New York This November

Tuesday, October 3rd, 2017

Yoko Ono Opens Public Sculpture in Chicago

Friday, October 21st, 2016

New York – Yoko Ono, “THE RIVERBED” at Galerie Lelong Through January 29, 2016, and at Andrea Rosen Gallery Through January 23, 2016

Tuesday, January 12th, 2016

New York – Yoko Ono: “One Woman Show 1961-1970″ at MoMA Through September 7th, 2015

Thursday, August 20th, 2015

MoMA to Open Yoko Ono Exhibition Next Year

Saturday, December 13th, 2014

Yoko Ono Interviewed in WSJ

Monday, November 3rd, 2014

London – Yoko Ono: “To The Light” at Serpentine Gallery Through September 9th, 2012

Saturday, September 1st, 2012

Go See – Berlin: Yoko Ono "Das Gift" at Haunch of Venison through November 13th, 2010

Sunday, September 12th, 2010

Hirshhorn Museum Dedicates Fall Gala to Group of 31 Women Artists

Monday, July 17th, 2017

Creative Time Flying Artist-Commissioned Flags Over New York Office

Thursday, June 15th, 2017

New York – “Take Me I’m Yours” at The Jewish Museum Through February 5th, 2017

Wednesday, November 9th, 2016

AO Recap – Mexico City: Visual Arts Week, February 4th – 8th, 2015

Monday, February 9th, 2015

New York – “The Thing and Thing-In-Itself” at Andrea Rosen Through January 24th, 2015

Friday, January 2nd, 2015

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

Red Hook, New York – “Amor Fati” group show at Pioneer Works Through September 29th, 2013

Thursday, September 12th, 2013

London: Jonas Mekas at The Serpentine Gallery Through January 27th, 2013

Sunday, January 20th, 2013

AO Newslink

Tuesday, June 26th, 2012

London: “Invisible: Art of the Unseen 1957-2012” on show at Hayward Gallery through August 6, 2012

Sunday, June 24th, 2012

AO On Site – New York: André Saraiva’s “Andrépolis” and Portrait of a Generation double show at The Hole from June 7 to August 10, 2012

Friday, June 8th, 2012

AO On Site – New York: The ADAA Art Show at Park Avenue Armory, March 7-11, 2012

Sunday, March 11th, 2012

AO On Site – New York: New York Academy of Art’s 20th Annual ‘Take Home a Nude’ Benefit at Sotheby’s, October 17, 2011

Tuesday, October 18th, 2011

AO On Site Photoset – New York: RxArt’s Annual Benefit 2011, Thursday, September 22nd, 2011

Tuesday, September 27th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – Berlin: Glenn Brown at Max Hetzler Gallery, until May 28th, 2011

Sunday, May 15th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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