Search Results

Hauser & Wirth to Represent Zeng Fanzhi

Sunday, March 11th, 2018

Zeng Fanzhi Profiled in NYT

Monday, November 14th, 2016

New York Times Interviews Zeng Fanzhi on his Work and Reflections on the Chinese Art Market

Friday, September 23rd, 2016

Zeng Fanzhi Profiled at Nowness

Wednesday, May 13th, 2015

Chinese Painter Zeng Fanzhi Becomes Highest Selling Contemporary Asian Artist at Sotheby’s Hong Kong Auction With $23.3 Million Final Price

Tuesday, October 8th, 2013

Zeng Fanzhi Interviewed in Financial Times

Monday, September 23rd, 2013

Interview with Zeng Fanzhi

Saturday, December 1st, 2012

Go See – Hong Kong: Zeng Fanzhi at Gagosian Gallery through November 4th, 2011

Friday, October 21st, 2011

Go See: Zeng Fanzhi at Acquavella Galleries, through May 15, 2009

Tuesday, April 28th, 2009

Zeng Fanzhi

Tuesday, November 25th, 2008

Budi Tek Awarded Chevalier of French Legion of Honor

Wednesday, August 2nd, 2017

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, June 28th, 2016

Wednesday, June 29th, 2016

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO Auction Recap – London: Sotheby’s Contemporary Evening Sale, October 17th, 2013

Thursday, October 17th, 2013

AO Summary and Links – Hong Kong: Hong Kong International Art Fair, May 17–20, 2012

Monday, May 21st, 2012

AO Newslink

Thursday, April 26th, 2012

Saturday, July 23rd, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

AO Auction Results – London: Christie’s Oct. 14th Contemporary Art Auction in London Brings in 19.6 million GBP, Hirst Sells Under Presale Estimate

Friday, October 15th, 2010

AO Auction Preview: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions This Week in London During Frieze Art Fair

Wednesday, October 13th, 2010

AO Auction Results and news summary: Results at Sotheby's Hong Kong Auctions Indicate Continued Growth of Chinese Market, Record Set for Zhang Xiaogang

Friday, October 8th, 2010

53rd Venice Biennale Art Exhibition Previews today, Opens to public June 7th

Wednesday, June 3rd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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