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Zeng Fanzhi Profiled in NYT

Monday, November 14th, 2016

New York Times Interviews Zeng Fanzhi on his Work and Reflections on the Chinese Art Market

Friday, September 23rd, 2016

Zeng Fanzhi Profiled at Nowness

Wednesday, May 13th, 2015

Chinese Painter Zeng Fanzhi Becomes Highest Selling Contemporary Asian Artist at Sotheby’s Hong Kong Auction With $23.3 Million Final Price

Tuesday, October 8th, 2013

Zeng Fanzhi Interviewed in Financial Times

Monday, September 23rd, 2013

Interview with Zeng Fanzhi

Saturday, December 1st, 2012

Go See – Hong Kong: Zeng Fanzhi at Gagosian Gallery through November 4th, 2011

Friday, October 21st, 2011

Go See: Zeng Fanzhi at Acquavella Galleries, through May 15, 2009

Tuesday, April 28th, 2009

Zeng Fanzhi

Tuesday, November 25th, 2008

Budi Tek Awarded Chevalier of French Legion of Honor

Wednesday, August 2nd, 2017

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, June 28th, 2016

Wednesday, June 29th, 2016

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO Auction Recap – London: Sotheby’s Contemporary Evening Sale, October 17th, 2013

Thursday, October 17th, 2013

AO Summary and Links – Hong Kong: Hong Kong International Art Fair, May 17–20, 2012

Monday, May 21st, 2012

AO Newslink

Thursday, April 26th, 2012

Saturday, July 23rd, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

AO Auction Results – London: Christie’s Oct. 14th Contemporary Art Auction in London Brings in 19.6 million GBP, Hirst Sells Under Presale Estimate

Friday, October 15th, 2010

AO Auction Preview: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions This Week in London During Frieze Art Fair

Wednesday, October 13th, 2010

AO Auction Results and news summary: Results at Sotheby's Hong Kong Auctions Indicate Continued Growth of Chinese Market, Record Set for Zhang Xiaogang

Friday, October 8th, 2010

53rd Venice Biennale Art Exhibition Previews today, Opens to public June 7th

Wednesday, June 3rd, 2009

AO On Site Auction Results: Phillips de Pury Part I Contemporary Art Sale falls short but with records set for artists represented by moderately priced works

Saturday, May 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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