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Dia Art Foundation Receives Directorship Endowment

Monday, October 30th, 2017

Artist Tehching Hsieh Profiled in The Guardian

Wednesday, October 25th, 2017

Guardian Profiles Impressionists’ Experiences in London

Saturday, October 21st, 2017

The Guardian Asks Artists How to Respond to the Turbulent Climate of the World Today

Friday, October 6th, 2017

Guardian Profiles Tate St. Ives’s Local Balancing Act

Tuesday, October 3rd, 2017

Tate Modern’s Superflex Turbine Hall Installation Profiled in The Guardian

Monday, October 2nd, 2017

Jean-Michel Basquiat Profiled in The Guardian

Tuesday, September 5th, 2017

Athens – Divine Dialogues: Cy Twombly and Greek Antiquity at the Museum Of Cycladic Art Through September 3, 2017

Wednesday, August 30th, 2017

Vermeer’s Diverse Painting Techniques Explored in Guardian Article

Friday, August 11th, 2017

Sotheby’s Facing Increased Competition from China Guardian as Chinese Auction House Expands

Friday, August 11th, 2017

New York – Leo Xu Projects and Metro Pictures Host “A New Ballardian Vision” for Condo: New York, Through August 4th, 2017

Friday, August 4th, 2017

Dia Adds Works by Kishio Suga, Lee Ufan to Collection

Tuesday, July 11th, 2017

New York – Hanne Darboven and Kishio Suga at Dia:Chelsea Through July 29th, 2017

Tuesday, July 11th, 2017

Maria Balshaw Profiled in The Guardian

Saturday, July 8th, 2017

Sophie Calle Interviewed in The Guardian

Monday, July 3rd, 2017

London – The 2017 Serpentine Pavilion by Diébédo Francis Kéré, Open Through October 8th, 2017

Saturday, July 1st, 2017

Congresswoman Nydia Velazquez Introduces Bill Easing Student Loan for Arts Workers

Wednesday, June 28th, 2017

The Guardian Tours Renzo Piano-Designed Centro Botin Gallery

Tuesday, June 27th, 2017

Nicholas Serota’s Impact on Tate Profiled in The Guardian

Friday, June 23rd, 2017

Hermann Nitsch Profiled in The Guardian

Monday, June 19th, 2017

Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Rashid Johnson Profiled in The Guardian

Tuesday, June 6th, 2017

The Guardian Traces Nicholas Serota’s Impact on Tate Over the Course of His Career

Wednesday, May 31st, 2017

Master Forger Shaun Greenhalgh Profiled in The Guardian

Wednesday, May 31st, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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