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Tuesday, September 6th, 2011

Don’t Miss – Stockholm: Ed Ruscha “Fifty Years Of Painting” at Moderna Museet through September 5th, 2010

Thursday, September 2nd, 2010

Go See – Zurich: George Condo ‘The Lost Civilization’ at Galerie Andrea Caratsch through July 30th, 2010

Monday, June 28th, 2010

Go See-New York: Roy Lichtenstein at Gagosian through July 30, 2010

Sunday, May 16th, 2010

AO Onsite – New York: Antony Gormley ‘Event Horizon’ Press Preview, Madison Square Park, show runs through August 15, 2010

Tuesday, March 23rd, 2010

AO On Site Auction Results – New York: Phillips de Pury’s Contemporary Evening Sale Wednesday November 12, 2009 – a modest sale totaling within estimate at $7,099,250

Friday, November 13th, 2009

Go See – London: John Baldessari at Tate Modern through January 10, 2010

Tuesday, November 3rd, 2009

Newslinks for Wednesday, October 14th, 2009

Wednesday, October 14th, 2009

Go See: Anish Kapoor at the Deutsche Guggenheim, Berlin, November 30, 2008 – February 1, 2009

Sunday, December 14th, 2008

Go See: Jake and Dinos Chapman "My Giant Colouring Book" at Campbell Works, London through September 14

Friday, August 29th, 2008

Go See: Antony Gormley at White Cube Mason’s Yard, London, March 6-April 12

Tuesday, March 11th, 2008

NEWSLINKS 03.10.08

Monday, March 10th, 2008


Thursday, December 27th, 2007

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

AO On-Site: Bushwick Open Studios 2015, June 5th-7th, 2015

Monday, June 8th, 2015

London – “Sarah Lucas: Art By Offenders, Secure Patients And Detainees” at Southbank Centre London, through November 25th, 2012

Monday, November 19th, 2012

Go See – Moscow: ANTONY GORMLEY ‘DOMAIN FIELD’ at the Garage Centre for Contemporary Culture, through September 2, 2009

Monday, August 10th, 2009

Go See: On Kawara 'One Million Years' at David Zwirner through February 14, 2009

Monday, February 9th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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