Global contemporary art events and news observed from New York City. Suggestion? Email us.

Anthony McCall’s “Column” Scrapped in Merseyside, UK

Thursday, April 18th, 2013

Artist Anthony McCall’s ambitious Column project, planned for public installation in the UK city of Merseyside, has been abandoned after being projected to finish late and over budget.  The project has already received over a half a million pounds of public money.  “Of course it is very important to us that we manage the risks associated with our investment of taxpayers’ money. We have monitored the development of Column closely, but in a very small number of cases the price we pay for exciting ideas is that the risk doesn’t pay off.”  Said Arts Council executive Laura Dyer. (more…)

New York – Anthony McCall: “Face to Face” at Sean Kelly Through March 23rd,

Friday, March 22nd, 2013


Anthony McCall, Face to Face (2013), via Sean Kelly Gallery

Anthony McCall’s body of work is punctuated by decades of silence.  Withdrawing from the art world in the late 1970’s after a number of promising exhibitions and installations around the globe, the artist completely ceased his artistic production until 2003, when he began experimenting with digital film projectors.  10 years later, the artist is presenting Face to Face at Sean Kelly Gallery, showing two works from the opposite ends of the artist’s career.


Anthony McCall, Face to Face (2013), via Sean Kelly Gallery

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Berlin: Anthony McCall ‘Five Minutes of Pure Sculpture’ at Hamburger Bahnhof through August 12, 2012

Thursday, May 31st, 2012


Anthony McCall, You and I Horizontal, (2006),  installation view at Institut d’Art Contemporain, Villeurbanne, (2006). Photo: Blaise Adilon. All images via Hamburger Bahnhof.

Five Minutes of Pure Sculpture, Anthony McCall’s largest museum exhibition to date is on now at Berlin’s Hamburger Bahnhof. McCall’s solid light films, such as Line Describing a Cone, from the 1970s established the artist’s reputation as being part of the cinematic avant-garde. After a break of twenty years, McCall began making films again in 2003, utilizing new technologies, like digital projection. The current exhibition consists of seven such projections; five single projections and two double projections, and of these three are horizontal while four are vertical.

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Don’t Miss – London: Sprüeth Magers Presents “Vertical Works” by Anthony McCall at Ambika P3 through March 27th, 2011

Wednesday, March 23rd, 2011


Anthony McCall, Vertical Works (2004-2010). All images via Sprüeth Magers.

Now on view at Ambika P3 in London is an exhibition of four light projections by Anthony McCall, titled Vertical Works. The installation is presented by Sprüeth Magers, which is displaying a concurrent exhibition of related drawings at their London location. Though the four light works, created between 2004 and 2010, are abstract projections of lines and curves, their titles are purely figurative. Exhibited in London for the first time, Breath, Breath III, Meeting You Halfway, and You can be seen through March 26th at Ambika P3. The works on paper exhibition at Sprüeth Magers is up until March 27th.

More text and images after the jump…

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AO On Site-New York/Koln: Anthony McCall ‘Leaving (with Two-Minute Silence) Exhibited at Sean Kelly Gallery in New York and Gallery Thomas Zander in Koln, Germany

Monday, February 1st, 2010

An exhibition of work by British-born artist Anthony McCall is currently being exhibited at both the Sean Kelly Gallery in New York through January 30th, 2010 and Gallery Thomas Zander in Koln, Germany through February 20th, 2010.  Entitled ‘Leaving (with Two-minute Silence),’ McCall’s new work of  ‘solid light’ presentations are comprised of digital videos of carefully choreographed, intersecting lines and curves. The collections of intersecting shapes are projected in dark, haze-filled rooms and result in three-dimensional forms, constructed purely from light. The exhibition is interactive, and as the viewers move in and out of the projected light beams,  they must reconcile their perceived sense of fixed, three dimensional objects with the actual mutable properties that light possesses.


McCall’s work emphasizes the sculptural qualities of beams of light.

More text, images and related links after the jump…

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Go See – Stockholm: Anthony McCall at Moderna Museet through December 6, 2009

Sunday, November 1st, 2009


Anthony McCall’s ‘You and I Horizontal’ via Moderna Museet

Now on view at the Moderna Museet in Stockholm are two light installations by Anthony McCall. McCall’s first “solid light” piece was the 1973 film, ‘Line Describing a Cone,” a work that is now legendary. The 16mm film projected a white circle that, over the course of half an hour, grew to a conical sculpture of light. For the 2004 Whitney Biennial, McCall recreated that work using newer technology that gives the projected image greater visibility and complexity. The new piece, ‘Doubling Back,’ was recently acquired by the Moderna Museet and is one of the works on view.


Anthony McCall’s ‘Doubling Back’ via Moderna Museet

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Newslinks for Monday September 27th 2009

Monday, September 28th, 2009


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Installation view of Anish Kapoor’s work at the Royal Academy of Arts in London via BBC

Anish Kapoor, the first living artist to exhibit at the Royal Academy of Arts in London, installs a work that shoots red paint to the walls of the famed 18th century building [The Wall Street Journal]
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Jeff Koons to be the curator of the New Museum show of Dakis Joannou’s collection, including works by Maurizio Cattelan, Urs Fischer, Robert Gober, Chris Ofili, and Jeff Koons himself
[The New York Times]
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Russia’s biggest contemporary-art fair opened September 23, 2009 in Moscow to coincide with Third Moscow Biennale of Contemporary Art
[Bloomberg]
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Donald Fischer, founder of Gap and art collector, loses his battle to cancer at 81; his collection will be permanently housed at San Fransisco Museum of Modern Art
[San Francisco Chronicle]
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Artist Ed Ruscha stars in a film by video artist Doug Aitken to be projected as installation entitled “Frontier” on Tiberina island in Rome
[The Art Newspaper]
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Andreas Gursky, his works and Pop influences, mainly Warhol’s, as analyzed in the Economist conclude “99 cents II (Diptych)” as the artist’s most important piece
[Economist]


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Ryan McGinness via J. Crew

Last summer painter Alex Katz modeled clothes for J. Crew catalog; this year seven New York artists, including Ryan McGinness and Vito Acconci, are featured [J.Crew]
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Tate Modern to recreate a 1992 exhibition that took place in New York’s Leo Castelli and was criticized as racist; 15 years later Tate curators appropriate the show as a part of a bigger Pop Life: Art in a Material World exhibit and hope for a different reaction
[The Independent]
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A Sigmar Polke painting, Untitled – Oil on Drape (1969), stolen directly from the artist’s atelier, the police deliberates the thief could only be someone with access to the space
[Artforum]
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Frieze Art Fair 2009 announces the details of its sculpture park, in London’s Regent’s Park; “Henry Moore Bound to Fail” by American artist Paul McCarthy is to remain on display for six months
[Frieze Art Fair]


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Guggenheim Museum Art Award via The New York Times

Louise Bourgeois, Urs Fischer, Dan Graham and Mary Heilmann are among the select individuals nominated for the First Annual Art Awards Guggenheim Museum announced this week [The New York Times] In related, the Frieze Art Fair announced the call for entries to The Cartier Award 2010 [Art Review]     
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Results from Sotheby’s mid-season Contemporary Art Sale
details at Art Market Monitor [Sotheby’s]
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The British Arts Council and the London 2012 organization announce Anthony McCall as a finalist in their nationwide initiative to commission public art in celebration of the upcoming Olympics. McCall has proposed a 1,5 mile earth sculpture in the form of a simulated vertical cloud in Liverpool [ArtInfo]
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A detailed survey of Contemporary-Art Auction values in the midst of economic crises as influenced by several variables, show a significant decrease [Bloomberg]
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65 year old Jehuda Reinharz, President of Brandeis University- home to Rose Art Museum housing works by artists such as Warhol and De Kooning, is to resign [Los Angeles Times]


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Sophie Calle photographed by Yves Geant via Guardian UK

France’s conceptual artist Sophie Calle’s path to art world recognition as examined through a personal perspective: stripping, spying, sleeping, “seducing her father” all turned into artistic practice [Guardian UK]
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At Westminster Cathedral, British painter Peter Doig is to create a new installation to coincide with a concert from the British pianist Stephen Hough whom he met after a recital in London in 2008 [Art Review]
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Two new co-directors, both previously with Art Basel, promote this year’s Art Forum Berlin to attract some of the city’s big name art galleries, among which: Max Hetzler, Johann König, Klosterfelde and Neugerriemschneider [Financial Times] and here is some video of the event [Vernissage TV]
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60 Galleries are not returning to Art Basel Miami Beach, but 65 new ones are added, hence the fair grows in quantity [Lindsay Pollock]


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Picasso’s sketch to be auctioned via Guardian UK

Picasso’s sketch that must have taken seconds to produce is expected to sell for more than £20,000 at Duke’s auction [Guardian UK]
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Christie’s “First Open” Post-War and Contemporary Art sale brings in good results, appealing to many buyers while providing a wide range of pricing and themes [Art in America]
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Christie’s Frieze exhibitions and auctions dedicated to Post-War and Contemporary Art will include works by artists such as Lucio Fontana, Damien Hirst and Gerhard Richter [ArtDaily]
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Museum of Contemorary Art in Los Angeles raises $60 million since December 2008 when it had revealed its financial troubles
[Culture Monster]
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Annie Leibovitz and Damien Hirst to design for Louis Vuitton [Elle UK]

SILLINESS OF TODAY’S HORROR MOVIES INSPIRATION FOR WAYANS BROTHERS.(What’s Happening)

Seattle Post-Intelligencer July 14, 2000 Most fans just laugh at how silly horror movies have become. Three of filmdom’s Wayans brothers decided to parlay their reaction into real laughs in “Scary Movie.” “It’s like `Airplane,’ ” says director Keenan Ivory Wayans. “Those guys knew that the disaster genre had been beaten to death.

“In horror, you’ve had the Jason series, the Freddy series, the `Scream’ series. This genre’s been played to death. . . . Same thing with `Don’t Be a Menace . . . ‘ You had `Boyz N the Hood,’ `South Central.’ ” The makers of “Scary Movie,” which had a huge opening last weekend, are no strangers to parody. Wayans targeted blaxploitation films when he wrote, directed and starred in the 1988 comedy “I’m Gonna Git You Sucka.” He also acted in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” the 1996 comedy written by and starring younger brothers Shawn and Marlon Wayans. in our site horror movies 2010

“If you can find a genre’s that’s beaten itself to death and has sort of ingrained itself in popular culture, then it’s ripe for parody,” says Keenan, 42.

“Scary Movie” originated with Shawn, 29, and Marlon, who’ll turn 28 on July 23. “All they do all day is call me,” Keenan Wayans said in an interview. “They sit in the house, and they call me, like, four times a day, going, `Is there something in this?’ And I’ll go, `No, that’s ridiculous.’ “And then they called me and said, `Is there something in the idea of doing a parody of all these teen horror movies?’ And I said, `Yeah, there’s definitely something in that.’ ” The younger Wayanses got together with Buddy Johnson, who’d served as executive story editor on their WB sitcom “The Wayans Brothers,” and Phil Beauman, who co-wrote “Don’t Be a Menace” and wrote for “In Living Color,” the sketch-comedy show created by Keenan in the early ’90s, and wrote a script. in our site horror movies 2010

“And 10 drafts later . . . it got made,” says Keenan. (Two other writers who’d come up with a similar idea are also credited because Miramax bought their script to avoid legal hassles.) Inspiration for “Scary Movie” came from sitting in theaters, watching the recent horror films and seeing how ridiculous they were, Marlon Wayans says.

“The first `Scream’ was good,” he says. “Then they do the sequel and they do `I Know What You Still Did Last Summer’ and . . . `Urban Legend.’ ” “Scary Movie” goofs on all the usual suspects plus “The Usual Suspects,” “The Sixth Sense,” and “The Blair Witch Project.” Marlon and Shawn wrote parts for themselves, naturally, but neither of them is the main character.

While the “Scream” films satirize the horror genre, “they just heightened where you need to go in terms of showing comedy,” says Marlon Wayans. “They make commentary. We show.” “They had an actual, real killer,” says Shawn Wayans. “We had a killer, but we made fun of what was funny about the killer in those movies.” “Scary Movie” also follows in the footsteps of gross-out comedies such as “There’s Something About Mary” and “South Park: Bigger, Longer & Uncut.” “ `Something About Mary’ and `South Park’ kind of opened up the door,” says Marlon Wayans. “What you do is, you go, `OK, y’all like that? Well, wait till you get a load of this!’ “What we’re doing with the comedy, pushing the envelope like that, is making a parody statement itself. Like, `Look at all the crazy things that people are doing out there.’ And teens love it.” What the Wayanses love is working with each other. Even though they couldn’t come up with roles for brother Damon or sister Kim, “Scary Movie” was a family affair.

Marlon and Shawn expect to continue collaborating. “I like working with him,” says Marlon. “I slept in a bed with him for 16 years. I had his feet in my face my whole life, so this is my best friend.” As for having big brother direct, that was a no-brainer. “Keenan is great,” says Shawn. “I think he’s a genius, and we totally respect his work. He taught us everything we know about comedy and just about life, period.

“It’s kind of like he’s been the director of our life anyway.” Adds Marlon: “So to finally get paid to be bossed around, hey!”

AO On Site – New York: PLOT/09 – 'This World & Nearer Ones' on Governors Island through the Summer

Thursday, July 16th, 2009


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Mark Wallinger, “Ferry.”

Currently taking place on New York’s Governors Island is “PLOT 09: This World & Nearer Ones,” a public art quadrennial produced and created by Creative Time.  Nineteen international artists were asked by curator Mark Beasley to create site-specific works responding to the particular situation of Governors Island, a 172-acre island in upper New York Bay, one half-mile from the southern tip of Manhattan.  Every Friday, Saturday and Sunday throughout the summer, a seven-minute ferry ride takes visitors to the island, where they can discover installation, performance, auditory and video projects that respond to the developing nature of Governors Island.

Related links:
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PLOT 09: This World & Nearer Ones [Creative Time]
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Island as Inspiration and Canvas [NY Times]
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Ferry Tale
[Art Forum]
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PLOT09: Exploring the World of Governors Island
[ArtInfo]
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Creative Time Presents New York City’s First Quadrennial on Governor’s Island [ArtDaily]
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PLOT/09 Presents a Public Art Extravaganza on NYC’s Governors Island [Flavor Wire]


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Tue Greenfort, “Project for the New American Century”

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Go See New York and Reykjavik – Anthony McCall and Finnbogi Pétursson at New York’s Sean Kelly Gallery and i8 in Reykjavik, Iceland, through July 31, 2009

Saturday, July 11th, 2009


A view of the new exhibition at i8, running concurrently with one at Sean Kelly, that features Anthony McCall and Finnbogi Pétursson.

Installation artists Anthony McCall and Finnbogi Pétursson are showing jointly at Sean Kelly Gallery, and in a concurrent exhibition at i8 Gallery in Reykjavik, Iceland.   Both close on July 31, and explore space, light, and sound in included works, some of which are showing for the first time.

Related links:
Sean Kelly Gallery – Anthony McCall/Finnbogi Pétursson
i8  shows / Anthony McCall, Finnbogi Pétursson
Finnbogi Pétursson [artist homepage]
Anthony McCall [artist homepage]


Finnbogi Pétursson at Sean Kelly Gallery.

 

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