Global contemporary art events and news observed from New York City. Suggestion? Email us.

Go See – New York: ‘Soutine/Bacon’ at Helly Nahmad Gallery, through June 18, 2011

Friday, May 20th, 2011


Francis Bacon, “Portrait of Henrietta Moraes” (1969). All pictures courtesy of Helly Nahmad Gallery.

New York’s Helly Nahmad Gallery is currently showing the first comparative assembly of works by the painters Chaim Soutine and Francis Bacon. Connections between Soutine, whom de Kooning famously called his “favorite artist,” and Bacon, the subject of two Tate Modern retrospectives in his lifetime and one in 2008, have never before been examined by an exhibition at a museum or gallery. SOUTINE/BACON closes on June 18.


Chaim Soutine, “Autoportrait” (1918).

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AO Breaking News: Louise Bourgeois Dies Today at age 98 in New York

Monday, May 31st, 2010


Louise Bourgeois in her Brooklyn studio in 1992. Photo courtesy The New York Times.

Louise Bourgeois, one of the world’s most celebrated sculptors, passed away today at the age of 98. The news was announced by an Italian foundation preparing an exhibition of the artist’s work in Venice, and was confirmed by Wendy Williams, the managing director of the Louise Bourgeois Studio. The cause of death was heart attack, and occurred at the Beth Israel Medical Center. Bourgeois was a leader of feminist art, and is known most recently for her large-scale metal spider sculptures, as well as psychologically-charged roughly-textured depictions of sex organs.


Bourgeois’s 30-ft spider sculpture outside the Tate Modern in 2007. Photo courtesy the BBC.

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Don’t Miss – New York: Alexander Calder at Gagosian Gallery, West 21st Street, through April 10 2010

Tuesday, April 6th, 2010


Five Points/Triangles by Alexander Calder, 1957
All images via Gagosian Gallery unless otherwise noted

Currently on view at Gagosian Gallery, New York is an exhibition of the large-format sculptures of Alexander Calder, produced between 1957 and 1970. The exhibition pays tribute to the late oeuvre of this renowned American sculptor, illuminating the period when Calder almost exclusively dedicated himself to sculpture of monumental proportions – the genre that brought him the international acclaim.

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