Sophie Calle, Rachel, Monique (2014), all photos by Emily Heinz for Art Observed

Since May 9th until June 25th this year, the Episcopal Church of the Heavenly Rest, in conjunction with Paula Cooper Gallery, has been transformed into a gateway that marries the universality of sacred space and the experience of life and death through the singular exploration of a specific life.  Artist Sophie Calle is known for her deeply emotional work and propensity for crossing the boundaries of personal and social space in a way that is successful in its dramatic and often controversial appeal to the human condition. “Rachel, Monique” may be one of her strongest works in this vein to date.

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Bill Viola is profiled in The Guardian this week, following the opening of his new long-term installation, Martyrs at St. Paul’s Cathedral in London, featuring videos of people engulfed in frames or hung upside down.   “These people are left for dead and don’t expect to live,” Viola says. “That’s all I’ll say.” (more…)

2050 5th Avenue, via Art Observed

There’s something particularly fitting about the conversion of Harlem’s Mt. Moriah Church by artist Ugo Rondinone.  Long interested in conflations of the human and the spiritual through physical sculpture and architecture (particularly the artist’s ongoing Human Nature series of human rock sculptures installed last year at both Rockefeller Center and Gladstone Gallery), the space fuses its towering facade with both studio and exhibition space inside.  Last week, Rondinone opened his studio and gallery, still under construction, for a private tour, showcasing the artist’s impressive architectural project, and his new exhibition in the space, a series of monochrome paintings by artist Wesley Martin Berg.

 A work by Wesley Martin Berg, via Art Observed (more…)

Francesco Vezzoli’s planned installation of an Italian church in the courtyard of MoMA PS1 in New York has been cancelled after Italian authorities intervened to block the artist’s export of the ruins.  Vezzoli is now under criminal investigation for the deconstruction of the church, despite the prior blessing of the Mayor of Montegiordano, where the church was located.  Vezzoli is searching for a new way to show his work at MoMA, but has yet to fully commit to a new plan.  “It’s like love — if this church turns you down, you can’t fall in love again right away,” he said. “My Juliet is being kept captive.” (more…)

Ai Weiwei, S.A.C.R.E.D. (Installation View inside steel diorama) (2013)

Since his 2011 detention for alleged tax evasion by the Chinese government, artist and political dissident Ai Weiwei has taken the world by storm, with exhibitions and retrospectives around the world, alongside documentary profiles, constant press coverage, and a notably enigmatic heavy metal album.  His ubiquity in the artworld, set in contrast to his physical restriction from leaving China, is clear, and consistent at the 55th Venice Biennale, where the artist is holding two separate solo installations.

Ai Weiwei, S.A.C.R.E.D. (Installation View) (2013)

Ai Weiwei, Straight (Installation View) (2008-2012) (more…)