Anish Kapoor has contributed to Artforum’s “500 Words” section this week, describing his recent work with the pigment Vantablack, and its capabilities for absorbing light to create a sense of infinite depth on a flat surface.  “I’m absolutely sure that to make new art, you have to make new space,” he writes.  “Malevich’s black square doesn’t just make a proposition about non-images or black as an image; it suggests that space works in a different way than previously conceived.” (more…)

The Guardian traces the career of Richard Diebenkorn, and his frequent oscillations between abstract figuration and more concrete landscapes during his lifetime in California and New Mexico.  The article comes in conjunction with Diebenkorn’s recently opened exhibition at the Royal Academy of the Arts.  “I want painting to be difficult to do,” he once stated, revealing his commitment to pushing his work into new territory. (more…)