The recent arrest of artist Tania Bruguera after her performance in Cuba has raised a number of questions regarding the freedom of artists in the country, the New York Times reports. “You never know how far you can go,” says well-known novelist Leonardo Padura. “Sometimes it seems as if spaces open and then close again.” (more…)
Gillian Wearing, We Are Here (2014), all images courtesy Maureen Paley
On view at Maureen Paley is a solo exhibition of single-screen video work by Turner Prize-winner Gillian Wearing. Entitled We Are Here, the artist’s 6th at the London gallery. The exhibition is conceptually inspired by American poet Edgar Lee Master’s book Spoon River Anthology (1915), in which the people who lived by the titular waterway rise up from the grave and talk about their lives and memories. Wearing, who grew up in the town of Sandwell, bases her video on people from the West Midlands speaking as if they have returned from the grave.
Gillian Wearing (Installation View)
We Are Here premiered in the UK at The New Art Gallery Walsall and in the US at Regen Projects, Los Angeles, and the work here centers around the production and conceptual planning of the piece, including a series of photographs taken around Sandwell, and other pieces of research. While the show is rather sparse, the exhibition is a welcome investigation into Wearing’s personal history, giving the area around her home town a certain agency to represent itself while also addressing the conditions and histories that help to define her own life and work.
Gillian Wearing (Installation View)
In her series of photographs, Signs that say what you want them to say and not Signs that say what someone else wants you to say, she allows her subjects the ability to express themselves on a series of white placards, with the results running from tender moments of self-honesty to hackneyed expressions about world peace. Taken as a whole, Wearing’s brand of cultural realism uncovers the the anxiety of her environment and the occasionally fraught contract between the artist and her subjects, occasionally breaking down or leaning into pop culture formats.
Gillian Wearing (Installation View)
Wearing won the Turner Prize in 1997 and was awarded an OBE in 2011. We Are Here was made possible by the Outset Contemporary Art Fund and the Art Fund with support from Maureen Paley, Shaun Regen and Tanya Bonakdar. The exhibition will remain on view at Maureen Paley through November 16, 2014.
Gillian Wearing, We Are Here (2014)
— E. Baker
Related Links:
Exhibition Page [Maureen Paley]
Jordan Wolfson, (Female Figure) (2014), via Art Observed
How does memory function in the 21st century? How does nostalgia? These are questions bound up in the work of Jordan Wolfson, on view now at David Zwirner. Spread along a series of assemblages, video, and the artist’s notoriously eerie animatronic robot, the show is a striking step for the artist, showing his unique approach to art-making in an ever-stronger expressive capacity.
Jordan Wolfson, Raspberry Poseur (2012), via David Zwirner (more…)
Georges Braque, Compotier et Cartes (1918), Courtesy Grand Palais
On view at Grand Palais, Galeries nationales in Paris is a retrospective covering the full life and output of French painter and sculptor Georges Braque’s career, beginning with Fauvism to his later works, particularly his birds series. The exhibition will continue through January 6th 2014.
