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Paris – Jordan Wolfson: “ARTISTS FRIENDS RACISTS” at David Zwirner Through

Tuesday, March 17th, 2020

London— Jordan Wolfson at Sadie Coles HQ Through June 17th, 2017

Saturday, June 17th, 2017

Jordan Wolfson’s VR Work for Whitney Biennale Profiled in Art News

Wednesday, March 1st, 2017

New York — Jordan Wolfson: “Colored Sculpture” at David Zwirner Through June 25th, 2016

Saturday, June 11th, 2016

Brooklyn Artist’s Offer Miniature Version of Dancing Jordan Wolfson Sculpture

Wednesday, September 3rd, 2014

New York – Jordan Wolfson at David Zwirner Through April 19th, 2014

Wednesday, April 16th, 2014

AO Interview: Jordan Wolfson – winner of The Cartier Prize 2009 at Frieze Art Fair

Wednesday, October 21st, 2009

NYT Appraises Market Prospects for New Crop of Highly Political American Art

Monday, May 1st, 2017

New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York – Asad Raza’s “Home Show,” on View Through December 20th, 2015

Saturday, December 26th, 2015

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO Onsite – The Exquisite Corpse DIS/MEMBER/MENT: A Charity Auction at Dustin Yellin’s new project space, The Intercourse, in Red Hook, Monday, June 4

Wednesday, June 6th, 2012

Living Artists

Thursday, July 7th, 2011

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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