Global contemporary art events and news observed from New York City. Suggestion? Email us.

AO On Site Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 3, 2009

Wednesday, November 4th, 2009


Danseuses, Edgar Degas (1896) all images via Christie’s

Last night, November 3, the fall auction season in New York kicked-off at Christie’s with their Impressionist and Modern evening sale – the smallest since May 2004. While vigorous bidding wars ensued for the finer pieces in the sale, there was no escaping the deathly silence that occurred when auctioneer, Christopher Burge, called for bids on a number of the auction highlights which included works by Camille Pissaro, Henri Matisse and Pablo Picasso, that eventually went unsold. Of the 40 lots on sale, 28 sold – making the overall total of $65,674,000, under the low-end estimate of $68,650,000.

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AO On Site; FIAC Round-Up: many reserves, not many sales made on “modern masterworks” and Saadane Afif announced as winner The Marcel Duchamp Prize

Monday, October 26th, 2009


Foire Internationale d’Art Contemporain, Paris via fiac.com

The action at France’s biggest art fair, Foire Internationale d’Art Contemporain (FIAC) in Paris came to a stand still on Saturday, October 24. The aftermath of FIAC, much like Frieze before it, is buzzing with discussion surrounding sales – big and small. On Saturday Bloomberg News reported that Piet Mondrian’s abstract Composition With Blue, Red and Yellow, valued between $30 and $40 million, was put on hold while a wealthy buyer made up their mind. Similarly, it seems the Pablo Picasso painting, Femme Ecrivant, was reserved by a potential buyer during the first few hours of FIAC’s VIP preview on October 21.


Galerie Suzanne Tarasieve – photo by Art Observed

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AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009


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Portrait of Geoff Dyer Talking, Francis Bacon (1966) at FIAC, Paris

If Frieze opened willing to court the unavoidable media speculation about sales or the lack of them: FIAC, and the exhibitors it houses this year, have in the early stages proved characteristically reticent. Not to mention laconic. At least on the surface. This morning there was little sign that much of Paris and beyond would descend on the Grand Palais and the Cour Carrée du Louvre at noon.


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Visitors to FIAC at Grand Palais, Paris

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Newslinks for Wednesday, October 14th, 2009

Wednesday, October 14th, 2009


Jeff Koons’s giant rabbit at the Covent Garden in London via Hypebeast

A giant helium-filled Jeff Koons balloon made its UK debut on October 8th, the inflatable rabbit floated above central London, it will be displayed in Covent garden [The Independent]
Coinciding with the Frieze fair, the 10th Turbine Hall commission launches, Baldessari’s retrospective opening the same day, Hayward Gallery presents Ed Ruscha, Turner Prize coming up and many other shows and openings, turn London into the center of attention [Guardian UK]
Frieze art fair excites not merely the International art scene, but also the social diaries of those who like to mingle with the rich and famous [Guardian UK] the contemporary art event even has installations to turn its visitors into the subjects of the artwork. [The Independent] Only displaying works by contemporary living artists, Frieze has been considered 1-dimensional in the past. Frieze helps London take over the art world in October [The Independent]- but not without competition, as FIAC, the Parisian fair, is to begin next week and may steal the battle as art collectors in today’s economic climate are forced to pick which fairs they will be attending [The Wall Street Journal]


Unrecognized work by Leonardo Da Vinci via Antiques Trade Gazette

A drawing sold at auction for $19,000 in the late 1990s is now attracting attention for its authorship, if by Leonardo Da Vinci, a theory that recent research strongly suggests, the work could be worth as much as $147 million [Bloomberg]
The Wapping Project in London, often compared to Tate Modern, is expanding with the opening of the Wapping Project Bankside- a new gallery reminiscent of a New York loft to feature film, video and photography almost “a stone’s throw” from Tate [The Moment]
The Whitney Museum of American Art’s plans for a second Renzo Piana location have advanced [The New York Times]

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