Former MIT Lecturer and filmmaker Joseph Gibbons is the subject of a Washington Post profile this week, as the performer and artist awaits sentencing for a bank robbery he committed on New Year’s Eve last year.  “You never can tell if the character he is playing is actually him or a work of fiction,” says Vincent Grenier, a filmmaker and professor at Binghamton University. “For him, it’s been a fertile arena to play in the boundary between reality and fantasy.” (more…)

Matthew Barney is interviewed in The Guardian this week regarding River of Fundament, which premieres in London later this month. In the interview, Barney discusses his work with Norman Mailer, the public’s incredulous reception to the movie thus far, and Barney’s atypical, cinematic narrative style that will continue to carry out his reputation for producing ambitious works in the future. “It’s to do with the way my brain is wired,” he says. “It’s a type of slowness I have with regard to resolving things and connecting the dots. The specifics really come quite late. There is a willingness for the work to develop organically.”

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Filmmaker Jem Cohen’s recently opened Museum Hours has garnished considerable attention, setting a story of friendship and art within Vienna’s Kunsthistoriches Museum.  “The use of the Kunsthistorisches is heartfelt and also very funny,” Says film critic Christoph Huber, “a slice of everyday life that I hardly see covered in my national cinema.” (more…)

Jonas Mekas, Jonas Mekas (Installation View), Via Serpentine Gallery

Lithuanian-American artist Jonas Mekas has worn many hats over his sixty-plus year career. Emigrating to the United States after his imprisonment in labor camps during World War II, Mekas began creating films that embraced a diaristic approach to documenting the events of his own life, but were informed by his active participation in the New York avant-garde film scene of the 1950’s. (more…)