Global contemporary art events and news observed from New York City. Suggestion? Email us.

Don’t Miss – New York: Michel Majerus at Matthew Marks Gallery Through April 19th

Thursday, April 17th, 2014


Michael Majerus, your bad taste (2002), via Matthew Marks

Spread over Matthew Marks Gallery’s spaces on 502, 522 and West 22nd Street is an exhibition of works by late Berlin-based artist Michael Majerus.  Presenting over twenty-five paintings and multimedia installations, the show is the most comprehensive of Majerus’s work in the United States as well as the first staged in the country since his life was cut short at the age of 35 by a plane crash in 2002.


Michael Majerus, pornography needs you (2001), via Matthew Marks

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New York – Heidi Bucher at Swiss Institute Through May 11th, 2014

Wednesday, April 16th, 2014


Heidi Bucher, Untitled (Herrenzimmer), (undated) via Osman Can Yerebakan

Known for her ongoing focus on the relationship between the body and architectural space, the late Heidi Bucker is being commemorated with an exhibition at the Swiss Institute. The exhibition, running through May 11th at the gallery’s SoHo space, stands out being the first solo exhibition of the artist in the United States in more than forty years.


Heidi Bucher, Untitled (9 Objects), (1972-1987), Courtesy Migros Museum für Gegenwartskunst, Zürich (more…)

New York – Richard Artschwager: “No More Running Man” at Gagosian, Through February 22nd, 2014

Friday, February 21st, 2014


Richard Artschwager, Running Man (triple), (2013), Photo by Rober McKeever, Courtesy of Gagosian Gallery

Gagosian’s Upper East Side Gallery is currently featuring the final works of the late Richard Artschwager. This exhibition coincides with the final destination of Artschwager’s traveling Retrospective, Richard Artschwager!, which just ended at Munich’s Haus der Kunst in January. Organized by the Whitney Museum of American Art and the Yale University Art Gallery, the comprehensive display of Artschwager’s life’s work was his second retrospective, the Whitney having exhibited an earlier iteration in 1988. Collectively titled No More Running Man, the works on view at Gagosian swerve in and out of generic categorization, at once painting and sculpture, to systematically present the enigmatic leitmotif of the Running Man. While one will find echoes of the past in these works, they represent the evolution of a highly protean and prolific master, whose style and subject resisted singularity for over sixty years.

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