Global contemporary art events and news observed from New York City. Suggestion? Email us.

Go See – New York: Joseph Beuys at PaceWildenstein, 534 West 22nd Street, through April 10, 2010

Tuesday, March 30th, 2010


Joseph Beuys, Jeder Mensch ist ein Künstler (Make the Secrets Productive), 1977

Currently on show at PaceWildenstein, through April 10, is an exhibition of twelve rare Joseph Beuys sculptures. To complement this over 90 black and white Ute Klophaus photographs documenting the several of the artists ‘Aktion’ works will also be on display as well as four films of also documenting happenings in the series. Moreover, a separate screening room is showcasing rare footage and interviews with Beuys. As a whole this exhibition is truly unique particularly considering the infrequency with which these works have been shown; a show of this nature has not been arranged in New York in a number of decades. What is significant about such a show is it tests the limits of how much the audience really thinks they know and have seen of Beuys’s work. For someone so loved in America it exposes how little of the works we have seen in actuality. Very physically present works are well balanced by iconic performances that remain only through documentation and finally footage of the artist. One the gallery’s directors in conversation with Vernissage TV said that for him: “you have in America respect without understanding, or without any kind of depth to the experience.” This exhibition attempts to rectify this situation.


Joseph Beuys, La rivoluzione siamo Noi, 1972

More text and images after the jump…
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Go See – New York: Sterling Ruby "2TRAPS" at PaceWildenstein, West 22nd Street through March 20, 2010

Saturday, March 6th, 2010


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Sterling Ruby, “Pig Pen” (2009-2010), on view at PaceWildenstein.

Through March 10, Sterling Ruby has two new pieces at PaceWildenstein’s downtown gallery.  On view are “Pig Pen” and “Bus,” two industrialized traps that confine, says a gallerist, humanity’s basic primitivism. This is an artist’s apocalyptic endgame.


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Sterling Ruby, “Bus” (2010) at PaceWildenstein.

More images and story after the jump…

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Go See – New York: 'Zhang Huan's Neither Coming Nor Going' at PaceWildenstein through January 30th 2010

Monday, December 21st, 2009


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Rulai
(2008-2009), by Zhang Huan, via PaceWildenstein

Currently on view at PaceWildenstein in New York is Zhang Huan’s “Neither Coming Nor Going.” The artist’s second show at PaceWildenstein; this exhibition emphasizes the artist’s ongoing exploration of what it means to be human through tradition, historical associations and personal experience. The show will feature a monumental ash Buddha, Rulai (2008-2009) and also a series of unique large-scale works on paper.

More text and related links after the jump….

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Go See – New York: David Hockney’s ‘Paintings 2006-2009’ at PaceWildenstein through December 24th 2009

Sunday, November 8th, 2009


Winter Timber
(2009) by David Hockney, via Artnet

Currently on view at PaceWildenstein in New York is David Hockney: Paintings 2006-2009. The two-venue exhibition at 32 East 57th Street is on the occassion of David Hockney’s first exhibition of new paintings in New York in over 12 years. Praised by Charlie Finch as “one of David Hockney’s best ever exhibitions,” the show features recent landscape paintings of the artist’s native Yorkshire, including 14 new works that have never been exhibited before.

Press Release [PaceWildenstein]
David Hockney: Paintings [NY Artbeat]
David Hockney: Recent Paintings [Hockney Pictures]
David Hockney: Critic’s Pick [New York Magazine]
A Walk in the Wood [Charlie Finch, Artnet]

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AO On Site; FIAC Round-Up: many reserves, not many sales made on “modern masterworks” and Saadane Afif announced as winner The Marcel Duchamp Prize

Monday, October 26th, 2009


Foire Internationale d’Art Contemporain, Paris via fiac.com

The action at France’s biggest art fair, Foire Internationale d’Art Contemporain (FIAC) in Paris came to a stand still on Saturday, October 24. The aftermath of FIAC, much like Frieze before it, is buzzing with discussion surrounding sales – big and small. On Saturday Bloomberg News reported that Piet Mondrian’s abstract Composition With Blue, Red and Yellow, valued between $30 and $40 million, was put on hold while a wealthy buyer made up their mind. Similarly, it seems the Pablo Picasso painting, Femme Ecrivant, was reserved by a potential buyer during the first few hours of FIAC’s VIP preview on October 21.


Galerie Suzanne Tarasieve – photo by Art Observed

More text and related links after the jump….

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AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009


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Portrait of Geoff Dyer Talking, Francis Bacon (1966) at FIAC, Paris

If Frieze opened willing to court the unavoidable media speculation about sales or the lack of them: FIAC, and the exhibitors it houses this year, have in the early stages proved characteristically reticent. Not to mention laconic. At least on the surface. This morning there was little sign that much of Paris and beyond would descend on the Grand Palais and the Cour Carrée du Louvre at noon.


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Visitors to FIAC at Grand Palais, Paris

More text and images after the jump….

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Don’t Miss – New York: Sol LeWitt’s ‘Forms Derived from a Cube’ at PaceWildenstein through October 17, 2009

Wednesday, October 14th, 2009


Installation view of Sol LeWitt’s ‘Forms Derived from a Cube’ via PaceWildenstein

Currently on view at PaceWildenstein‘s East 57th Street location is Sol LeWitt‘s ‘Forms Derived from a Cube,’ an exhibition featuring wall drawings, gouaches, and sculptures from the 1980s.    LeWitt used the form of the cube to create a vocabulary that formed the basis of his practice throughout his career. As a universal form, the cube requires no interpretation on the part of the viewer and allowed the artist to create a multitude of figures and images using only an essential idea.

Sol LeWitt: Forms Derived from a Cube [PaceWildenstein]
Sol LeWitt: A Wall Drawing Retrospective [MASS MoCA]


Installation view of Sol LeWitt’s ‘Forms Derived from a Cube’ via PaceWildenstein

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Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009


Kirsten Dunst on the set of a production by Takashi Murakami in collaboration with McG via aarting

Tate Modern’s “Pop Life: Art in a Material World,” features a video that is a collaboration between McG – famous Hollywood director, and Murakami – Japan’s king of pop art: starring actress Kirsten Dunst on the streets of Akihabara in Tokyo for “Turning Japanese” by rock band The Vapors [The Wall Street Journal]
A 1984 work by Chinese artist Li Keran sold for $940,000, the most for a print at a Hong Kong auction, where bidding led by mainland buyers has taken many prices several times above estimates
[Bloomberg]
Sotheby’s Asia sales in Hong Kong revealed that demand for Chinese paintings, while firm, is mixed; as the market is still vulnerable, less pricey, quality pieces were the ones to realize numbers higher than their estimates
[Reuters]
Works including those by Renoir, Pollock, Degas and Rembrandt stolen from the home of a retired Harvard Medical School professor and collector, and his business partner; only authentic pieces were taken, leaving behind impeccable reproductions [Boston Globe via Art Market Monitor] in related Uncooperative and unable to produce evidence that the stolen art existed, Angelo Amadio and Dr. Ralph Kennaugh, become suspects of the theft to which allegedly they are victims [ArtDaily]


Tracey Emin via Guardian UK

Discouraged by British government’s top rate tax, Tracey Emin threatens to abandon England for France where she claims the politicians understand the importance of supporting culture and art [Guardian UK] in related At the London’s Frieze Art Fair, in the booth of New York’s Lehmann Maupin Gallery, Tracey Emin, known for her confessional artwork, is offering to make customized artworks based on answers to fifteen personal questions [Artinfo]
Fanjul paintings nationalized by Cuba in an exhibit in Museo del Prado in Madrid involve legal consequences as the Museum is being investigated by the US department of state for illegal trafficking of a work of art owned by US citizen confiscated by Cuban government
[The Art Newspaper]
Turner Prize exhibit at Tate Britain in London this time startles the viewers with the lack of now expected blood, outrage and other shock factors
[Bloomberg]
The Bloomberg administration makes an announcement of its plan to give nonprofit cultural groups access to gallery and theater space in city owned properties and help artists develop business plans
[Crain’s Business]


Donald Judd concrete constructions in Marfa Texas via Hip-Ster-Krit

6 of 15 concrete constructions built by Donald Judd in Marfa Texas required repair and conservation work, October 10th the works will once again be open to the public [Artinfo]
A look at the Chinese Gao brothers who are shocking their country with brave, politically challenging art works, such as a life-size sculpture of Mao whose body is only reunited with his head on ‘special occasions’
[The New York Times]
When most artists’ prices are decreasing in a recession, a few go up: Italian Maurizio Cattelan is one of those who thrive in the tough economic times, an analysis of his work reveals some truths on the variables of the art market [The Economist]


Damien Hirst posing in front of his work via ARTblog +

A portrait of Damien Hirst built through an interview: his influences, unusual artistic paths (such as painting) and mediums to come, and a subjective depiction of the artist’s personality [Times Online] in related Hirst tells BBC that he will not be producing large scale installations and will rather concentrate solely on painting by applying oil to the canvas with his hands, something he has been secretly doing these recent years [BBC] and in related the FT reports that Hirst lays off much of his staff, closes two studios and is actually making paintings himself; while the galleries give no comments on the unsold works worth millions [Financial Times]
As art fairs struggle to retain exhibitors, a new modern and contemporary fair in Abu Dhabi signs up forty-eight names, including PaceWildenstein, Gagosian, Acquavella and White Cube
[Lindsay Pollock] related 50 paintings from the New York Guggenheim Museum to be shown in Abu Dhabi [Arts Abu Dhabi]


‘Fuego Flores’ by Jean Michel Basquiat via Auction Publicity

Sotheby’s October Contemporary Art Auction, estimated to realize in excess of £9 million, will include works by leading artists, such as Jean-Michel Basquiat, Anish Kapoor, Andy Warhol, Chris Ofili, Damien Hirst, Gerhard Richter, Antony Gormley and Yan Pei-Ming [Auction Publicity]
Following in the footsteps of Anselm Kiefer and Toni Morrison, Umberto Eco has been named the next guest curator at the Louvre; the show
“Vertige de la Liste” (Vertigo of Lists) will revolve around his chosen theme “the list”
[Artinfo] in related news, talks are underway to open a McDonald’s restaurant and a McCafé at the Louvre next month [Telegraph]
An art dealer from Stockholm, Sweden has been accused of faking works by heavyweight modernists including Georges Braque, Alberto Giacometti, Edvard Munch, and Egon Schiele
[Artnet]


Child of lonely – performance by Terence Koh October 6 at Thaddaeus Ropac Gallery, Photo Olivier Zahm via purple DIARY

Terence Koh prepared his first solo show at the Parisian gallery Thaddaeus Ropac, which takes a form of an imaginary opera in eight acts, the first act taking place October 6, 2009 [The Art Newspaper]
The four artists shortlisted for Turner Prize 2009 are: Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright; the winner is to be announced December 7th
[Turner Prize 2009]
Jerry Saltz writes about new galleries emerging despite the economic crises
, provides a list of new galleries to see and comments on the effects of the recession on the female artists [New York mag]


The current state of the building to house Sperone Westwater and the computer rendering of it via Lindsay Pollock

A concrete foundation is rising at the site of the future Sperone Westwater gallery designed by the British architect Sir Norman Foster on the Bowery; the 10 story building will rise only one block away from New Museum [Lindsay Pollock]
As opposed to expanding outside their home in LA, Tim Blum and Jeff Poe open a new 21,000 square foot space conveniently located in front of their existing gallery on South La Cienga Boulevard, Los Angeles [Los Angeles Times]


Jacket designed by JR via The World’s Best Ever

A jacket from JR’s Face2Face Project comes in a limited edition of only 100 [The World’s Best Ever] in related A video interview with JR in Paris about his project Women are Heroes, which allows the viewers to call a number and hear an interview with one of the chosen women for the project [Vernissage TV]
An interview with Dasha Zhukova that notes her easy acceptance in the art world [Guardian UK]
28 as opposed to 40 exhibitors had pulled out of the Frieze Art Fair, yet despite the equally disappointing numbers, many lesser known, but in no way inferior galleries, will get a shot at the famous art fair [Telegraph]


Miranda July via Vice

Miranda July creates a series of photographs to imitate and bring attention to the extras in iconic movies [Vice]
An Italian professor, Dr Seracini, has been working on technology that can enable the search for the largest painting Leonardo da Vinci ever painted – The Battle of Anghiari, a work he believes to be hidden underneath the frescoes in Florence’s Palazzo Vecchio [The New York Times]
MoMA received an unexpected gift this month – an estate, estimated to be worth more than $10 million, belonging to the late Michael H. Dunn, a bachelor from Derby, Vermont [The New Yorker]

Go See – New York: Maya Lin’s ‘Three Ways of Looking at the Earth, Selections from Systematic Landscapes’ at Pace Wildenstein through October 24, 2009

Sunday, October 4th, 2009


Maya Lin’s ‘Three Ways of Looking at the Earth’ via PaceWildenstein

Maya Lin’s first solo exhibition with PaceWildenstein, ‘Three Ways of Looking at the Earth,’ is currently on view in New York.  The exhibition includes three large-scale installations, excerpted from her museum show ‘Systematic Landscapes,’ which premiered at the Henry Art Gallery in Seattle in 2006.  The sculptures look at different topographies, two real and one imagined, in a dramatic downshift of scale, allowing viewers to experience inaccessible or impossible landscapes in an unfamiliar perspective, challenging their relationship to the natural world. Lin remarked in the catalog essay for ‘Systematic Landscapes,’ “A strong respect and love for the land exists throughout my work.  I cannot remember a time when I was not concerned with environmental issues or when I did not feel humbled by the beauty of the natural world….these works are a response to that beauty.”

Maya Lin Studio
Maya Lin: Three Ways of Looking at the Earth [PaceWildenstein]
Maya Lin: Three Ways of Looking at the Earth [The Scout]
Maya Lin: Three Ways of Looking at the Earth [L Magazine]
Three Ways of Looking at the Earth [Examiner]


Maya Lin’s ‘Three Ways of Looking at the Earth’ via Maya Lin Studio

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Go See – New York: James Turrell’s ‘Large Holograms’ at PaceWildenstein through October 17, 2009

Friday, September 25th, 2009


James Turrell’s ‘Untitled (11NOR)’ via PaceWildenstein

Now at PaceWildenstein’s West 25th Street location is the gallery’s fourth solo exhibition of James Turrell, ‘Large Holograms.’ Working within the language he developed in his seminal projection pieces of the 1960s, Turrell’s fifteen large-scale hologram works deal with the physicality of light and the changes of its presence via the changes in perspective. Using traditional dichromate holographic material, Turrell, instead of using light to create the illusion of a three-dimensional object, makes an object out of light itself.

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Video of James Turrell’s ‘Large Holograms’ via Art New York City

Related Links:
James Turrell: Large Holograms
[PaceWildenstein]
James Turrell Holograms @ Pace Wildenstein [Art New York City]


James Turrell’s ‘Untitled (9NSB)’ via PaceWildenstein

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Go See: Chuck Close Paintings and Tapestries at PaceWildenstein, New York through June 20, 2009

Friday, May 15th, 2009


Chuck Close, Cindy (2006), jacquard tapestry, at PaceWildenstein

PaceWildenstein Gallery in Chelsea presents the latest Chuck Close exhibition, showing seven oil on canvas paintings in addition to tapestry portraits of Brad Pitt, Ellen Gallagher, Philip Glass, Lyle Ashton, Andres Serrano, Cindy Sherman, Lorna Simpson, Zhang Huan, and two self-portraits.  An exhibition catalog with an introductory essay by curator Lilly Wei accompanies the show.

PaceWildenstein
Chuck Clise: Selected Paintings and Tapestries, 2005-2009
534 West 25th Street, New York
May 1 – June 20, 2009

RELATED LINKS
Exhibition Page [PaceWildenstein]
Chuck Close: Tapestries [Magnolia Editions]
Chuck Close Opening Thursday 4/30 [Magnolia Editions Blog]
Video: Chuck Close Tapestries at PaceWildenstein [Magnolia Editions Blog]
Chuck Close Artist Page [Art Observed]


Chuck Close, Self Portrait/Color (2007) Tapestry at PaceWildenstein

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Go See: Alex Katz: Fifteen Minutes at PaceWildenstein, New York, through June 13th, 2009

Thursday, April 23rd, 2009


Sunset 3
(2008) by Alex Katz, via Pace Wildenstein

Currently showing at Pace Wildenstein Gallery in New York is a new series of ten large-scale paintings on linen and canvas by Alex Katz. The ten landscape paintings captured at twilight and sunset reveal the artist’s continual influence from nature.

Katz studied plein air painting at the Skowhegan School for Painting and Sculpture in Maine during the summer following his graduation from The Cooper Union in 1949.  It was the landscape of northern New England which captivated his artistic sentiment drawing him back each summer to the coast of Maine.  In his new works,  Katz captures the Maine light, “which is richer and darker than the light of the Impressionist paintings that helped me separate myself from European painting and find my own eyes,” the artist once explained. The delicate and soft Maine light which he depicts is often found at dusk when the sun is below the horizon.

Press Release
Alex Katz: Fifteen Minutes [Artinfo]
Alex Katz: Fifteen Minutes at Pace Wildenstein [Timeout New York]

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Go See: ‘Walking on Air’ by Richard Tuttle at PaceWildenstein, New York, through April 25, 2009

Tuesday, March 31st, 2009

Richard Tuttle, 'Walking on Air, 5' (top) and 'Walking on Air, 4' (bottom), 2008, Via Re-Title.com

Presently on show at PaceWildenstein (534 W 25th st) is Richard Tuttle’s first solo show at the gallery. The exhibition includes twelve new works that were executed in 2008. All twelve pieces, measuring roughly  1’ x 10’, are made up of two rectangles of dyed fabric cloth with sown in grommets, allowing each piece to hang on nails. For Tuttle, these latest additions to his oeuvre alleviate the ambiguity of dichotomy and of the abstract and the real and instead make manifest the prospect of harmony and a new beginning.  The works are paired with a DVD, showing a conversation between Tuttle and Arne Glimcher, director and founder of Pace Art Gallery in New York.

PaceWildenstein
Richard Tuttle: Walking on Air
534 W 25th st
March 20 – April 25, 2009

RELATED LINKS
Exhibition Page and Press Release
[PaceWildenstein]
Richard Tuttle Info, Bio, Essays and More [Sperone Westwater]
Biography, Interviews and Multimedia on Richard Tuttle [PBS art:21]
Richard Tuttle: Never Not an Artist (2005). Documentary on Richard Tuttle directed by Chris Maybach [Art City]

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AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

David Zwirner booth at the Armory, showing Yan Pei-Ming, John McCracken, and Rachel Khedoori.

New York Armory Week 2009 is in full swing, with attendance higher than expected moving into the weekend.  Despite the absence of several blue chip galleries – including Matthew Marks and Lehmann Maupin – the gallerists’ collective mood seems hesitant but optimistic.  177 contemporary galleries are exhibiting in the Armory’s 11th year, along with the addition of a Modern wing at Pier 92 selling more established, less edgy work.

The Armory Show 2009 and the Armory Modern
Piers 92 and 94
12th Avenue at 54th Street
March 4-8, 2009


Armory Opening Party at MoMA.

RELATED LINKS
Sales still down, but spirits are buoyant [Art Newspaper]
On the Piers, Testing the Waters in a Down Art Market [New York Times]
Has the Recession Sparked a New Renaissance? [Guardian UK]
On the Scene at the Armory Preview Party [Style File Blog]
MoMA’s Armory Show Opening Benefit Party [Patrick McMullan]
Armory MoMA After Party [Guest of a Guest]
Now Dealing | The Armory Show
[TheMoment]
Window-shoppers Descend on Armory Art Show
[NYMag]
What’s Selling (or Not) at the New York Armory Show [NYMag]
‘Creepy’ Bernie Madoff Watercolor Fails to Sell at Armory Show
[NYMag]
Dealers Sold on Armory Modern, Collectors Less So [ArtInfo]
The Herd Is Out, but Holding Back
[ArtInfo]

more stories and photos after the jump…

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Don’t Miss: Matta – Five Decades of Painting at PaceWildenstein, New York through February 28th, 2009

Wednesday, February 25th, 2009

Untitled (1967) by Roberto Matta, via LatinAmericanart.com

Matta: Five Decades of Painting features work from the collections of Federico Matta and Ramuntcho Matta at the PaceWildenstein Gallery in New York City. It is the first major exhibition of the work of Chilean-artist Matta (Real name: Roberto Sebastian Antonio Matta Echaurren) in New York since his retrospective at the Museum of Modern Art in 1957. The show is comprised of around fifteen oil paintings from the collections of Matta’s daughter Federica and son Ramuntcho. The works span fifty years of Matta’s career but are heavily weighted toward the end of his life. They nevertheless show Matta’s engagement with the Surrealist Movement.

Exhibition Page: Matta: Five Decades of Painting
Matta: Five Decades of Painting
[NYmagazine]
Matta: Five Decades of Painting, Works from the Collections of Federico Matta and Ramuntcho Matto [Artinfo]
Art Review [NY Times]

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Go See: Jim Dine ‘Hot Dream (52 Books)’ at PaceWildenstein in New York, through February 7th, 2009

Monday, January 5th, 2009


Installation view of Jim Dine’s ‘Hot Dream (52 Books)’ via PaceWildenstein

On view at PaceWildenstein’s West 25th Street location is a new multi-media show by Pop artist Jim Dine.  The exhibition includes books, sculpture, photographs, poetry, and collage, and reportedly is born of the artist’s desire to produce one book a week for a year. In the installation, Dine explores his consciousness and memory with a profuse juxtaposition of his poetry, both spoken and written, old photographs and mementos, along with sculptures and books.

Jim Dine: Hot Dream (52 Books) Exhibition Detail [PaceWildenstein]
Hot Dream (52 Books) [Steidl]
Jim Dine: Poet Singing (Getty Villa Exhibitions) [Getty Museum]

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Newslinks for Sunday, November 23rd, 2008

Sunday, November 23rd, 2008

Javier Peres via the NYObserver

New York and Berlin gallerist Javier Peres, much a part of the success of Dan Colen, Assume Vivid Astro Focus, and Terrence Koh, opines on the “new, new school’ and the ways of the market [NYObserver]
The “serene mastery” of Italian painter Giorgio Morandi
[WallStreetJournal] now at showing at the Met [ArtObserved]
In art market layoffs: Damien Hirst cuts up to 17 of the 22 in his studio [GuardianUK] and Pace Wildenstein cuts as well [Blackbook]

Antony Gormley's Angel of the North on Antiques Roadshow via BBC

The highest priced “antique” on UK’s Antiques Roadshow is a £1m model of Antony Gormley’s Angel of the North [GuardianUK] more here [BBC]
The Museum of Modern Art is armed with a Twitter account
[ArtFagCity]
On the heels of his recent no-sale at Phillips,
[Art Observed] Damien Hirst is sanguine on the art market: “What goes up must come down” [ArtInfo]
Over 1/2 of the best selling artists of last year were Asian
[Independent]
Global art dealer Jan Krugier dies at the age of 80
[ArtForum]

Newslinks: Monday, August 4, 2008

Monday, August 4th, 2008

Jacob Rothschild via BBC

Interview with Lord Jacob Rothschild, scion of legendary collector family [The Economist]
Tracey Emin rejects offer to remake her definitive ‘Sensation’ work: “Everyone I Have Ever Slept With 1963–95,” which burned at the Saatchi gallery warehouse in 2004 [Artinfo]
Guggenheim Foundation expands, taking over 60,000 sf in West Soho [Crain’s New York]
Blue chip gallery Pace Wildenstein is up and running in Beijing before the Olympics [NYSun]
More on the China thing: Beijing’s 798 art district prepares for sales tied to the Olympic rush [WallStreetJournal]
And still more on the China thing: female Chinese artists move to the forefront [NYTimes]

Don’t Miss: Zhang Huan ‘Blessings’ at PaceWildenstein, Chelsea, New York until July 25

Monday, June 23rd, 2008

Zang Huan via Pace Wildenstein

Through July 25, Chelsea’s Pace Wildenstein is showing Chinese artist, Zhang Huan. The exhibition Zhang Huan: Blessings will take place at the two Wildenstein galleries in Chelsea.  The artist lived in New York for eight years before moving back to Shangai in 2006.  The works are notable if not only for their ambitious scale.

That’s a Nice Piece of Ash [New York Observer]
Zhang Huan: Blessings
[Pace Wildenstein]

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PaceWildenstein Gallery opening in Beijing

Wednesday, April 30th, 2008


Peter Boris and Arne Glimcher of PaceWildenstein, Richard Gluckman and Leng Lin via the New York Times

The New York based gallery PaceWildenstein will open a new space in Beijing this summer. There are soft openings in May but the main opening is scheduled to correspond with the summer Olympics.

Amid Asian Art Boom, Manhattan Gallery to Open Branch in Beijing [New York Times]
PaceWildenstein To Open in Beijing [NY Sun]
PaceWildenstein to Open Branch in Beijing. [ArtInfo]
PaceWildenstein gallery

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GO SEE: Michal Rovner’s “Makom II” at PaceWildenstein, February 13 – March 15

Thursday, February 14th, 2008


Michal Rovner and Makom II sculpture via The New York Sun

The artist Michal Rovner will presents February 13 to March 15 her new work called “Makom II” at Pace Wildenstein West 22nd street gallery in Manhattan. The exhibition is notable for featuring a 60-ton archeological sculpture built on site called “Makom II”.

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Newslinks 1.14.08

Monday, January 14th, 2008


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Koons interview courtesy of Art Forum
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Jeff Koons, “T” and Sympathy [Artforum]
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Sotheby’s February Art Sale Valued at Over GBP100 Million [Art Daily]
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Zwirner’s Video Re-enacts Historic Chess Battles [NY Times]
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Bleckner will Donate his Ashes for Paint [NY Daily News]
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NYSun Coverage of Robert Rauschenberg at Pace Wildenstein [NY Sun]
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Domino’s is about to grow;Pizza chain plans 400-store expansion in coming year. go to site dominos coupon codes

Crain’s Detroit Business December 6, 1999 | KOSDROSKY, TERRY The corporate reshuffling last week at Domino’s Pizza Inc. that led to about 100 administrative layoffs is the precursor to a 400-store growth plan in 2000, double its current growth rate.

Domino’s also plans to invest more in franchise development, marketing and in-store computers.

The goal is to increase systemwide sales by 5 percent next year, said Tim McIntyre, vice president of communications for Domino’s. The Ann Arbor Township-based company typically has opened between 150 and 200 stores a year since 1995. Domino’s reported systemwide sales of $3.2 billion in 1998. There are about 6,400 worldwide stores, with 4,563 in the United States.

Though the No. 2 pizza company reported same-store sales growth in its last 25 quarters, its domestic market share declined slightly between 1997 and 1998, from 11.7 percent to 11.3 percent, according to Technomic Inc., a Chicago-based restaurant industry research and consulting firm.

The pizza industry has been slow-growing for the past several years. Last year’s top three companies, Pizza Hut Inc., Domino’s and Detroit-based Little Caesar Enterprises Inc., all lost market share in 1998, according to Technomic. But Domino’s wants to make a move, McIntyre said.

To achieve its projections, Domino’s last week overhauled its franchise-service and franchise-marketing operations. The company used to have 55 franchise consultants who worked with franchisees on business plans, new products, operations and marketing. Now Domino’s will use 51 franchise consultants to work on stores with sagging sales and small markets, while 19 operations consultants will work with franchisees on operations and new products.

Marketing development managers will work with franchisees on promotions and advertising targeted at more specific markets. this web site dominos coupon codes

As a result, Domino’s needs fewer administrators and more marketing and brand-management specialists, McIntyre said. That’s why about 100 corporate employees, including about 40 in its Ann Arbor Township headquarters, were laid off. Domino’s has about 3,000 salaried employees.

One franchisee said he thinks the decision to market promotions in smaller areas is a good idea and can increase unit sales.

“Before, they would make a decision for a six- or seven-state area. Now they’re targeting it for specific states and county areas, and we think that’s better,” said Joe Manuszak, who owns seven Domino’s stores in western Michigan. “The old way would be like me trying to develop a marketing plan for Indianapolis, which I know nothing about. The differences in each area are huge. In some markets, they don’t care about price, and in others, it’s more competitive.” Manuszak said franchisees are getting a different tone from the company.

“The regional offices are saying, `What can you do?’ instead of saying, `This is what you can’t do,’ ” he said.

But the transition won’t happen without some rough spots, Manuszak said.

“I think it’s positive, but there is a sense of loss and regret for the people that have gone. Some good people have gone, and some relationships with the parent company are lost,” he said. “It may cause some problems with contracts that are in the midst of completion, but life doesn’t come to an end.” An independent franchise analyst said the changes should benefit franchisees, who make up the bulk of Domino’s system.

“You should have consultants by function, but you also need someone in marketing on the local level who really understands the region,” said Geoffrey Stebbins, president of Southfield-based World Franchise Consultants Inc. “You really need a two-pronged answer, and Domino’s is large enough to afford that.” Stebbins said Domino’s growth projections are realistic but that the company should focus more on increasing same-store sales in order to attract more franchisees. But he said that because Domino’s carries a lot of debt because of its recapitalization by Bain Capital Inc., Brandon has pressure to expand the system.

Domino’s reported total long-term liabilities of $745 million for the third quarter, which ended Sept. 12. Boston-based Bain, which purchased Domino’s in December 1998 in a $1.05 billion deal, funded the recapitalization with $425 million in loans and $275 million in public security bonds.

Terry Kosdrosky covers the food industry, transportation, steel, international and Downriver. He can be reached at (313) 446-1626 or at TKosdros@crain.com.

KOSDROSKY, TERRY