Sarah Lucas, Dacre (2013) via Osman Yerebakan

Britain introduced many significant female artists in the 90s during its highly touted YBA (Young British Artists) era, woman who presented feminine sexuality not as an object, but as a subject in itself. Commonly interpreted as a tool or a meta for male artists, female sexuality was reformed into ‘a maker’ that creates art alongside a group of female artists (with inspirations from pioneers such as Louise Bourgeois or Georgia O’Keeffe), instead of being the object that the hand works on. Artists like Tracey Emin, Sam Taylor-Wood and Sarah Lucas presented bodies of works that came from the essence of being a woman by explicating femininity in unorthodox ways.

Sarah Lucas, Priapus (2013) and Chicken Knickers (2014) via Osman Yerebakan (more…)

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Inside the Bermondsey Street warehouse, via NovaLoca

London art dealer Jay Jopling has just announced that the former Recall warehouse in Bermondsey Street will soon be converted to a gallery under his White Cube umbrella.  Jopling, through White Cube, represents such artists as Jake & Dinos Chapman, Tracey Emin, Damien Hirst, Gary Hume, Marc Quinn and his former wife Sam Taylor-Wood, among others.
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Jay Jopling, via The Rich Life

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Eight Elvises, which sold for $100 million in a private deal last year via TheEconomist

—  The Economist has a downloadable special report on the art market, in it Sarah Thornton reports in an article on Warhol, in the wake of the sale of his work in the recent New York  contemporary auctions for $43.8 million, that in August 2008 Andy Warhol’s singular “Eight Elvises” was sold privately to an unknown buyer for $100 million [Economist]

– Close to $100M of Russian art aims to be sold for Russian Art Week in London, where the vast growth of wealth in Russia allows for repatriation of that country’s works [Bloomberg] more on this here [WallStreetJournal]

A discerning look into some of the less disclosed but nevertheless driving forces and relationships behind various high profile exhibitions [Financial Times]

to stay apprised of the latest relevant news of the art world read more…

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Maurizio Cattelan’s ‘Trophy Wife,’ depicting Stephanie Seymour, currently going through a messy divorce from Peter Brant, who owns the piece

-Recent court filings in the divorce of Peter Brant and Stephanie Seymour reveal disputes over nearly 50 works by Andy Warhol, as well as works by Richard Prince, Jean-Michel Basquiat, Cindy Sherman, Jeff Koons, Julian Schnabel, and a bust of Seymour made by Maurizio Cattelan [Vanity Fair]

-And in related, Udo Fritz-Hermann Brandhorst, an heir to Germany’s Henkel AG & Co. fortune, settled out of court a dispute with his former mistress over two works by Damien Hirst [Bloomberg]

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Allison Schulnik’s music video for Grizzly Bear’s ‘Ready, Able’

– Painter Allison Schulnik’s claymation music video for Grizzly Bear’s ‘Ready, Able’ via The Flog

-Tracey Emin reading her new book of poems “Those Who Suffer Love” and “Strangeland” at University Settlement as part of Performa 09 [Supreme Being]

-Also related, a round-up of Performa 09 includes a “Pasta Sauna” based on the Futurist Manifesto, Tacita Dean, William Kentridge, Merce Cunningham and more [Financial Times]

To stay apprised of most of the relevant art news for this past week…

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Ghosts X, Sam Taylor-Wood (2008) via White Cube

Ghosts – an exhibition of photographs by Sam Taylor-Wood – is currently in its last days at the Brontë Parsonage Museum in West Yorkshire, England. The Ghosts series was originally exhibited as part of Taylor-Wood’s most recent show, Yes I No, at White Cube in October 2008. Now exhibited in the former home of the famed Brontë sisters – Charlotte, Emily and Anne – a new emphasis is brought to the series which should be apparent to any reader of Emily Brontë’s passionate novel, Wuthering Heights. All of Taylor-Wood’s photographs were shot in a four-mile radius of the supposed backdrop of Wuthering Heights and capture the bleak and unremitting landscape of the moors which echoes the brutal portrayal of heightened passion and suffering found in the fictional novel.

Ghosts IV, Sam Taylor-Wood (2008) via The Independent

More text and related links and images after the jump…..
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Jeff Koons’s giant rabbit at the Covent Garden in London via Hypebeast

A giant helium-filled Jeff Koons balloon made its UK debut on October 8th, the inflatable rabbit floated above central London, it will be displayed in Covent garden [The Independent]
Coinciding with the Frieze fair, the 10th Turbine Hall commission launches, Baldessari’s retrospective opening the same day, Hayward Gallery presents Ed Ruscha, Turner Prize coming up and many other shows and openings, turn London into the center of attention [Guardian UK]
Frieze art fair excites not merely the International art scene, but also the social diaries of those who like to mingle with the rich and famous [Guardian UK] the contemporary art event even has installations to turn its visitors into the subjects of the artwork. [The Independent] Only displaying works by contemporary living artists, Frieze has been considered 1-dimensional in the past. Frieze helps London take over the art world in October [The Independent]- but not without competition, as FIAC, the Parisian fair, is to begin next week and may steal the battle as art collectors in today’s economic climate are forced to pick which fairs they will be attending [The Wall Street Journal]

Unrecognized work by Leonardo Da Vinci via Antiques Trade Gazette

A drawing sold at auction for $19,000 in the late 1990s is now attracting attention for its authorship, if by Leonardo Da Vinci, a theory that recent research strongly suggests, the work could be worth as much as $147 million [Bloomberg]
The Wapping Project in London, often compared to Tate Modern, is expanding with the opening of the Wapping Project Bankside- a new gallery reminiscent of a New York loft to feature film, video and photography almost “a stone’s throw” from Tate [The Moment]
The Whitney Museum of American Art’s plans for a second Renzo Piana location have advanced [The New York Times]

To stay apprised of most of the relevant art news for this past week … (more…)

Terence Koh and Simon De Pury at the 16th Watermill Summer Benefit. Photo by Patrick McMullan

Robert Wilson greeted his guests as they arrived at the 16th Annual Watermill Summer Benefit- an event he choreographs every summer in order to raise funds for the artistic community to which he is the director. The evening included a silent auction, a live auction hosted by Simon de Pury – Chairman of Philips de Pury auction house, over 10 art installations interpreting this years theme “Inferno,” dinner,  theater performances of various genres and attendance by many from the worlds of art, fashion and music.

Related Links:
Hot as Hell At Watermill [ArtInfo]
Fire Starters at Watermill Benefit [WWD Lifestyle]
Isabella Rossellini shows for Water Mill Benefit [Newsday]
Flaming Creatures [ArtForum]
The 16th Annual Watermill Summer Benefit Hot As An “Inferno” [Hamptons]
About Watermill Center [Watermill Center]
The 16th Annual Watermill Summer Auction and Benefit [Art Observed]

Attendees walk the trails behind the 16th Annual Watermill Summer Benefit and Auction at the Hamptons, all photos by Art Observed unless noted

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Manaus, Christophe Schlingensief. Inferno, this year’s theme of the 16th Annual Watermill Summer Benefit. Via Hamptons

The Byrd Hoffman Watermill Foundation’s sixteenth Annual Summer Benefit will take place on July 25th in the Hamptons.  Robert Wilson, its Artistic Director, envisages an event that will include various installations, theatrical performances and auctions all framed by this year’s theme- Inferno.  An auction in support of artistic programming at the Watermill Center conducted by Simon de Pury, Chairman of Phillips de Pury auction house, will certainly be one of the highlights of the evening.

Related Links:
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Inferno: The Sixteenth Annual Watermill Summer Benefit [Artdaily]
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Sixteenth Annual Watermill Summer Benefit [The Watermill Center]
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About Watermill [the Watermill Center]
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16th Annual Watermill Center Benefit [Artinfo]
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Summer Is a-Kooning In: We Preview Watermill Benefit Goodies! [NYObserver]
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Simon de Pury [Bigthink]
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Welcome to Watermill – a review of last year’s (2008) Watermill Benefit [BIZBASH]

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Julian, Elizabeth Peyton. At the Annual Watermill Benefit this year. Via Watermill Center

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The New Museum – which is to soon launch its new Triennial via WorldArchitectureNews

The New Museum announces its list of  fifty artists for “The Generational” aka “Younger than Jesus” [ArtDaily]
Sam Taylor-Wood on herself, rats, and her newest work [GuardianUK]
After this week’s auctions, the FT declares the art auction market still has a pulse [Financial Times]
A thoughtful look into Elizabeth Peyton’s enigmatic portraits [Wall Street Journal]

Shepard Fairey via LATaco

Shepard Fairey encounters copyright issues concerning his iconic campaign imagery [BBC] and, separately, is arrested in Boston for outstanding tagging violations while en route to DJ the opening party for his exhibit [Boston Globe]
Though Gladstone Gallery’s pension was on the list of Madoff clients, funds were pulled before major losses were sustained [Bloomberg]
A few of the lady’s at Christie’s stay optimistic amidst the new austerity [NYTimes]

Francis Bacon – Man in Blue VI via TimesUK

Francis Bacon’s ‘Man in Blue VI’ highlights Christie’s February 11th sale [BBC]
Museums cut budgets as endowments shrink [Art Newspaper]

Art Dealer and White Cube Gallery owner Jay Jopling and Artist Sam Taylor-Wood via the DailyMail

On the fractious Jay Jopling and Sam Taylor-Wood “£100m divorce” and a brief history of the couple [DailyMail]
Art galleries Guild & Greyshkul, Cohan and Leslie, and Roebling Hall are the latest to close [Artnet]
The Guggenheim museum sets record attendance [Cranes] as does The Louvre [ArtInfo]
Fashion brand Lucien Pellat-Finet to collaborate with artist Marc Quinn [Vogue]

Lucio Fontana – Concetto spaziale, 1961 via ArtDaily

Sotheby’s February 5 London Contemporary Art Evening auction to sell
Lucio Fontana’s rediscovered Concetto spaziale (1961) at at estimate of £5-7 million [Reuters]
The total value of London’s art auctions in February are a mere 23% of 2008 levels [Bloomberg]
Scores of artists settle in Sunset Park, Brooklyn’s “Industry City” [NYMag]
Art colleges as hype machines? [GuardianUK]

Hiroshi Sugimoto’s cover for U2 via Blitz.pt

Hiroshi Sugimoto is the cover art for U2 new album [Rolling Stone]
Edward Winkleman offers tactics for art galleries to weather a recession [ArtworldSalon]

Still from ‘Sigh,’ an installation by Sam Taylor-Wood, on display at “Yes I No,” via White Cube Gallery

“Yes I No,” a show by Sam Taylor-Wood, is currently on display at White Cube Gallery, in Mason’s Yard, London. The show contains three sets of photographs, and a large-scale film installation. ‘Sigh,’ the installation, features the BBC Concert Orchestra playing a classical piece, without their instruments. The orchestra members, who are filmed in plain clothes and in multiple takes and at various angles, are miming the performance, highlighting the relationship between the viewer’s aural perception of the music and the visuals of the musicians’ and conductor’s performing the music.

Taylor-Wood, who rose to prominence in the 1990s along with Damien Hirst, Tracy Emin, and other members of the Young British Artists movement, is known for pieces exploring themes of absence and mortality.

YES I NO by Sam Taylor-Wood – through November 29th, 2008
White Cube
Mason’s Yard, London

Taylor-Wood’s Mimed Music, Serra’s Metal Maze: London Galleries [Bloomberg]
Visual art review: Sam Taylor-Wood, No 1 the Piazza, Covent Garden/White Cube, London [Guardian]
Q&A – Sam Taylor-Wood, artist [GuardianUK]
Sam Taylor-Wood, YBA artist turned filmaker (and wife of White Cube Gallery owner Jay Jopling), to direct John Lennon film [AO Newslinks]
Exhibition Page: Yes I No
Press Release: Yes I No
Artist Page: Sam Taylor-Wood

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Cellophane House at the MoMA site, for sale starting at $1.75 million

MoMA is selling homes from the pre-fab exhibit; separately, Warhol’s final home pulled off the market [Wall Street Journal]
Which exhibits to see while at Frieze, London October 16-19 [New York Sun]
British businessman/collector allocates $5.5 million for 40 sculptural works to coincide with the London Olympics in 2012 [Art Info]
Inside Dafen, China’s production of 3.75 million fake “replica” paintings [Bloomberg]
“Young British Artist” Sam Taylor Wood will cover The Passions’ ‘I’m in Love with a German Film Star’ in a single produced by the Pet Shop Boys [FactMag via ArtFagCity]

Sam-Taylor Wood and Jay Jopling via Art Info.

“Young British Artist” couple Jay Jopling and Sam Taylor-Wood are separating after 11 years of marriage. The two have both been a constant force within the British contemporary art world.  Jopling’s White Cube gallery represents famed British artists Damien Hirst, Tracey Emin, and the Chapman brothers among an international roster that includes Chuck Close, Andreas Gurksy and Jeff Wall.  Taylor-Wood is a Turner Prize winning artist whose photo and video work has included celebrities Elton John, Jude Law and Benicio Del Toro among others. The artist furthered her fame in 2002 when she created a video portrait of David Beckham sleeping. The announcement follows Jopling in the news alongside Damien Hirst’s record breaking sotheby’s auction last week in which the artist cut Jopling and other dealers out of the selling process. The couple has stated that no other parties were involved in the split which they have described as “amicable.” Jay Jopling and Sam Taylor-Wood have two daughters together.

Jay Jopling and Sam Taylor-Wood separate after 11 years [The Times UK]
Jay Jopling and Sam Taylor-Wood split after 11 years of marriage [Telegraph]
Art’s golden couple Sam Taylor-Wood and Jay Jopling split after 11 years of marriage [Daily Mail]
Jay Jopling and Sam Taylor-Wood Separate After 11 Years [Art Info]

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Sam Taylor-Wood via TelegraphUK

Sam Taylor-Wood, YBA artist turned filmaker (and wife of White Cube Gallery owner Jay Jopling), to direct John Lennon film [FirstPost]
Selling dealer weighs in on the Leonardo Da Vinci portrait authenticity debate [NYTimes]
More on the contemporary art market’s surge in China [Financial Times]
Louvre to lend 17th-century art to Japan [ArtInfo]
Charlene Weisler documents NY Street art [New York Sun]
A critique of Jeff Koons-in-Chicago as “overexposure” [WallStreetJournal]