The Guardian has posted a video interview with French artist Laure Prouvost, discussing her winning of the Max Mara Award for Women, and her immersive video work Swallow, exploring the raw emotion of sensation, now on view at Whitechapel Gallery. “It’s this idea of what’s real and what’s not, expressed in video and bricolage.” She says.
(more…)
The Raising of Lazarus, 2007 (David Zwirner Gallery)
Chris Ofili’s familiar hits are brought together with his more mature recent works for the first time in a mid-career survey at the Tate Britain, London, through 16 May 2010. The collective effect of the show is a kaleidoscope of wild humor, brilliant color and raw energy. What is striking about the exhibition is its unique position within the growing contemporary canon: firstly, Ofili is unusual as a painter in a conceptual era, and, secondly, he is intensely concerned with the aesthetic. The paintings in this exhibition are richly ornamented; their surfaces are imaginatively constructed from such incongruous materials as elephant dung (Ofili’s signature), map pins and glitter. The paintings are structural and highly tactile, and the viewing experience is a sensory event. This perhaps most evident in The Upper Room, a collaboration with the architect David Adjaye to design an independent and enclosed viewing space. The audience is guided down a barely lit corridor into a dim, yet glittering chamber that enhances the spiritually of viewing paintings which reference both the Christian and Hindu faiths.
More text, images and related links after the jump….
(more…)
Painting of Myra Handley by artist Marcus Harvey via Time
At a promotional event in Beijing for the London 2012 Olympics, a video montage produced by Visit London has sparked controversy when a photo of a painting by British artist Marcus Harvey came across the screen. The painting depicts the British child murderer, Myra Hindley; as an unintentional representation of British Heritage. The video was intended to promote London and the coming 2012 Olympics, but the quick glimpse one of London’s most prominent murderers was likely done in accidentally rather than in “poor taste”. The painting is very recognizable as a major fixture in Charles Saatchi’s famous 1997 Sensation shown in London and the Brooklyn Museum.
Myra Hindley casts Olympic shadow [Telegraph]
2012 Hindley image use condemned, view footage of the event here [BBC]
Olympics: London tourism body attacked over murderer portrait in promo [AFP]
Monster Movie [Times]
Censoring provocative art is the worst advert for 2012 [GuardianUK]
