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Chicago Tribune Previews MCA Chicago’s Newly Renovated Restaurant with Massive Chris Ofili Mural

Thursday, September 7th, 2017

Chris Ofili to Fly ‘Union Black’ Flag Outside The Tate Britain

Monday, July 3rd, 2017

Venice – Chris Ofili: “Poolside Magic” at Victoria Miro Through July 1st, 2017

Wednesday, May 10th, 2017

Chris Ofili Discusses Life in Trinidad with The Guardian

Monday, April 17th, 2017

New York – Chris Ofili: “Night and Day” at The New Museum Through January 25th, 2015

Wednesday, January 7th, 2015

Chris Ofili Profiled in New Yorker

Monday, September 29th, 2014

Simon Ling and Chris Ofili Interviewed in Financial Times

Saturday, November 2nd, 2013

London – “Chris Ofili: To Take and To Give” at Victoria Miro, Through November 10th, 2012

Tuesday, November 6th, 2012

London – Metamorphosis 2012: Titian with Chris Ofili, Conrad Shawcross, Mark Wallinger at The National Gallery through September 23rd

Tuesday, August 21st, 2012

AO On Site – London: Chris Ofili at Tate Britain through 16 May 2010

Tuesday, February 9th, 2010

Go See – New York: Chris Ofili’s ‘Afro Margin’ at David Zwirner through October 24, 2009

Thursday, September 24th, 2009

Chris Ofili

Wednesday, March 5th, 2008

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 30th, 2015

Tuesday, June 30th, 2015

Nicholas Serota Calls for Protections to Arts in Brexit Plan

Thursday, July 13th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

AO On-Site – New York: ADAA’s The Art Show March 1st – 5th, 2017

Saturday, March 4th, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Sunday, October 18th, 2015

Art Basel Miami Beach Announces Plans for Kabinett Section

Monday, October 12th, 2015

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015

AO Fair Recap – Hong Kong: Art Basel Hong Kong, March 15th – 17th, 2015

Wednesday, March 18th, 2015

AO Preview – London: Frieze Art Fair in Regent’s Park, October 17th-20th, 2013

Tuesday, October 15th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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