Mark (Installation View), via Team Gallery

The word “mark” takes the center stage in Team Gallery’s ongoing group exhibition, featuring works by Erica Baum, Louise Fishman, Suzanne McClelland, Shannon Ebner, and Al Loving. Aptly and simply titled mark, the exhibition gathers a group of two dimensional works in print and painting that loosely investigate the impact of visual culture on personal and collective memory. Initiated through varied linguistic and social traits of the word finding to its current use and connotations in modern English, the various approaches here explore differing meanings of the “mark,” each of which serve as tactics to examine societal codings of information, ethics, and culture. (more…)

Andeas Schulze, Vacanze 15 (2016)

While today painting may often present draw critique as something of an exhausted genre, Cologne-based painter Andreas Schulze‘s surreal arrangements of bodies in space always manage to serve up a convincing protest.  This contrarian approach is perhaps best seen at Team Gallery where Schulze has arranged a series of smoky, slender depictions of beachgoers, bearing the apropos title Vacanze 365. Focusing particularly on torsos and pelvises, the painter captures vacationers sporting different types of beach attire in catchy patterns and bright colors, carrying smoke dispensers emerging as puffy clouds from belt-like stripes on waistlines. The gallery walls—covered in bright blue with traceable painterly gestures—bear an efficiently immersive installation, playing each work’s spry bodies against the soaring walls, with works hanging in untraditional angles in proximities to the ceiling. (more…)

Ryan McGinley, Dash (Manhattan Bridge) (2000), via Team Gallery

Over nearly two decades, photographer Ryan McGinley has explored the deep emotional character and vivid energy of American youth, capturing its subcultures, heroes and creative communities in moments of joy and exuberance, desire and rebellion.  This long engagement with the broad cultural underground of the United States has seen the artist build a striking and diverse oeuvre, one which receives a well-deserved reflection in the artist’s most recent show at Team Gallery, Early, a survey of the artist’s work between 1999 and 2003.

Ryan McGinley, Early (Installation View), via Team Gallery

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Zoe Barcza, Fidelio (2016), via Art Observed

Team Gallery has opened 2017 with a commanding group exhibition, The Love Object, a show curated by Tom Brewer that draws on the writings of Roland Barthes to frame a body of works exploring love and the act of love through a more objective lens, delving into relations of bodies, texts and language as a mode of investigating not only the state of emotional attraction, but equally the frameworks we use to understand these forms. (more…)

Dolores (Installation View), via Art Observed

The current exhibition at Team Gallery, Dolores, captures a series of disjointed, often confounding narrative arcs, and places them into close conversation through each piece’s respective architectural and spatial implications.  Drawing on the various trappings and appointments of modern domesticity, the show, curated by Todd von Ammon, twists familiar forms and functions through a variety of technical and visual alterations.

Max Hooper Schneider, Dielectrix I: Division Electrophorus (2016), via Art Observed

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Gert and Uwe Tobias, Untitled (GUT / 2489), via Art Observed

Artists Gert and Uwe Tobias return to Team Gallery in New York for a show of new drawings and sculpture this month, bringing with them a new variant on their already prolific output of work negotiating the spheres between the folklore of their native Romania, and the context of Western art production that their own work is situated within.   (more…)

Gardar Eide Einarsson, Utah to Resume Use of Firing Squads for Executions (2015), all photos by Elene Damenia for Art Observed

Returning to the United States for his first solo exhibition since leaving the country for Tokyo, Gardar Eide Einarsson has once again brought his particular brand of appropriation-based practice to Team Gallery for a solo exhibition of new work, taking aim this time at the United States’ often twisted ideological rhetoric, and the iconography that often carries it. (more…)

Team Gallery is planning to open a space in Los Angeles on September 14th, 2014. The new space, called Team Bungalow, will be the third iteration of the Team Gallery and the first outside of New York City. The gallery will be based in a small bungalow and garage on Windward Avenue in the Venice neighborhood and will be open on Fridays, Saturdays, and Sundays. Team Bungalow’s inaugural show will be called “tl;dr” and feature work by Cory Arcangel.  (more…)

Gert and Uwe Tobias, Untitled ’13 (Installation View), via Team Gallery

Continuing in their uniquely distinctive practice that weaves printmaking, installation, sculpture and typography, twin brothers Gert and Uwe Tobias are currently exhibiting a selection of new work at Team Gallery in New York City.

Gert and Uwe Tobias, Untitled (GUT 2055) (2012), via Team Gallery (more…)

Black Cake, Installation view at 83 Grand Street, Courtesy of Team Gallery, New York

Black Cake at Team Gallery is a multi-generational group exhibition curated by Alex Gartenfeld, the young critic and curator whose former West Street Gallery project space was a notable new addition to the downtown art scene before it closed last summer. The exhibition takes its point of departure from the Gaelic spring ritual of Beltane (by way of scholar Roberto Calasso’s account in his 1994 book The Ruin of Kasch), during which a cake would be prepared and divided among members of a tribe. One piece would be covered in ash (hence the name “black cake”), and whomever chose this piece would be pushed into the Beltane bonfire, becoming a sacrificial casualty of the fertility holiday. The exhibition presents the diverse aesthetic iterations of “sweetness” and social identity in contemporary art, notions addressed dynamically across a variety of media through the works on view.

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Image: Frieze London Courtesy Frieze

Exhibitors are gearing up for the tenth edition of Frieze London, which takes place in London’s Regent’s Park from October 11–14th. The fair kicks off with a vernissage on the evening of Wednesday, October 10th, once again housed in a temporary structure designed by architects Carmody Groarke.

Although mostly composed of UK and US galleries (almost exclusively from London and New York) account for 45% of the main fair, fair organizers are broadening the scope this year, with new sections and exhibitors from 35 countries, making it the most international event to date organized by Frieze.

Image: Mona Hatoum, KAPANCIK, 2012 Courtesy White Cube Gallery

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 Gardar Eide Einarsson – Sorry If I Got It Wrong, But Something Definitely Isn’t Right (Gallery View)

Currently on view at the Team Gallery’s space on Grand Street New York City is an exhibition of new work by Gardar Eide Einarsson, showcasing the Norwegian’s multidisciplinary scope, and confrontational approach to exhibition.  In this most recent show, Sorry If I Got It Wrong, But Something Definitely Isn’t Right, the artist explores the intricately connected systems of political dissent currently at play on the global stage.

 Gardar Eide Einarsson – Untitled 1969 (2012)

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But, What Ends When The Symbols Shatter (2009); Caligula (2010). All images courtesy Bonniers Konsthall unless otherwise noted.

Gardar Eide Einarsson is one of the fastest rising Scandinavian contemporary artists, and his exhibition Power Has a Fragrance currently on view at Bonniers Konsthall in Stockholm is a testament to his momentum. Addressing themes of violence, authority, power, paranoia, and alienation, Einarsson draws heavily on graffiti and street culture, transforming appropriated imagery into sophisticated installations that land like spaceships in a minimalist’s paradise.

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Dash Snow, Untitled (Metallic Trees) – God Spoiled, 2007. All images via galerie du jour unless otherwise noted.

Currently on view at galerie du jour is an exhibition entitled “3 + 1.” The 3 in this case refers to the New York trio of Dash Snow, Ryan McGinley and Harmony Korine, while 1 refers to the Parisian fashion designer agnès b. (née Angès Andrée Marguerite Toublé, 1941).  The show will remain at agnès b.’s galerie du jour, which specializes in contemporary photography, through November 6, 2010.  In the exhibit’s press release, agnès b. explains that her goal was not to pay homage to the late Snow, but rather to commemorate his life through a presentation of his work, a year after his death, in the company of his friends and peers.

Ryan McGinley, Chelsea, 2010

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Gert & Uwe Tobias, Exhibition Poster, Woodcut, CFA Berlin, 2010. All images via Contemporary Fine Arts Berlin.

Currently on view at Contemporary Fine Arts Berlin is “Neue Arbeiten,” an exhibition of recent work by fraternal collaborative Gert & Uwe Tobias (b. 1973). The show features over fifty pieces by the Romanian-born twins, including ceramic sculpture, drawings, collages, and the colorful, large-scale woodcuts for which they are best known. Their interdisciplinary practice incorporates folkloric imagery, regional iconography, and popular culture, creating a self-referrential, multimedia visual narrative. Like all of their previous exhibitions, they designed a site-specific woodcut poster for the CFA show, which comments upon and participates in the body of work on view.

Gert and Uwe Tobias, Ohne Titel (Untitled), Woodcut, CFA Berlin, 2010.

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Ryan McGinley, Luz, 2010

It would be easy to quickly walk through Team Gallery right now and feel like you have seen some pretty satisfying photos. However, Ryan McGinley’s “Everybody Knows This Is Nowhere” is more complex than its enjoyable simplicity may first imply.

Sean, 2010

ArtObserved On Site at the Ryan McGinley, “Everybody Knows This is Nowhere,” at Team Gallery

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Untitled (GUT/1361), 2008

Last Thursday, ArtObserved were on site at Team Gallery for the opening of an exhibition of new work by twin brothers and artistic collaborators, Gert and Uwe Tobias. The title of the exhibition, “Come and See Before the Tourists Will Do – The Mystery of Transylvania,” was originally used by the brothers in 2004 to describe a body of works that acted as mock-advertising for low-budget horror movies set in their native Transylvania. Initially it was a reaction the Romanian governments proposal to build a “Dracula Park” in order to encourage tourism in the area. In this rendition of the series they chose a number of European vampire film titles from which to construct their lively woodcut “posters” around. The works are very much informed by folklore and regional mythologies and thus are concerned with the construction of cultural identity.

Artist Uwe Tobias (right) at the opening of Come and See Before the Tourists Do – The Mystery of Transylvania at Team Gallery on February 11, 2010. Photographs by Oskar Proctor.

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Still from Cory Arcangel’s ‘Drei Klavierstücke, op. 11’ via Team Gallery

Team Gallery’s current exhibition is a group show of three video artists from the gallery’s roster: Cory Arcangel, Guillaume Pinard, and Jon Routson. It follows a similar three-person show of abstract work by its artists in January. The exhibition includes a number of video pieces, in both large and small formats, as well as a sound piece by Routson and two prints by Arcangel in his Photoshop series – a similar print was in the New Museum’s triennial, Younger Than Jesus.

Arcangel, Pinard, Routson [Team Gallery]
Arcangel, Pinard, Routson @ Team [This Heart’s On Fire]

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Opening Banks Violette’s “Not Yet Titled” at Team Gallery. Photo by Art Observed.

From May 7th until June 20th, Team Gallery presents new work by artist Banks Violette. Last night, a crowd -among which fellow artists Dash Snow and Matthew Barney– gathered at Team Gallery and Grand Street to take a first look at the work. The exhibition consists of drawings of graphite on paper and one sculpture.   The iconography in the works is wide-ranging, but all revolve around transformation, death, faith and redemption.  In one piece, Violette has taken the portrait of Bela Lugosi  – the renowned Count Dracula in the 1931 film Dracula who later fell into obscurity – and depicted him as a Christ figure, thus blending evil and the benign.  Violette’s drawing is hard edged, yet he succeeds in rendering his works with an air of ghostly vagueness. The works derive their power from a sense of the unclear and unreal.

Opening Banks Violette’s “Not Yet Titled” at Team Gallery. Photo by Art Observed.

Violette Banks: Not Yet Titled
Team Gallery
83 Grand Street, New York
May 7th, 2009 – June 20th, 2009

RELATED LINKS
Exhibition Page [Team Gallery]
The ghost of goth art [GQ]
Master of the Dark Arts (2005 article) [New York Times]
Death Becomes Him [Art Review]
Banks Violette: Kryptologo Cryptologist [Spike Art Quarterly]
Kill to get the money [i-D]
Banks Violette by Neville Wakefield, Banks Violette and Stephen O’Malley [Amazon]
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Installation view via Team Gallery

Team Gallery in New York is currently showing der osten im norden des westens (which translates as ‘the north of the east of the west’) by Gert and Uwe Tobias. The title eludes to the unique provenance of the twin brothers -born in 1973 in Transylvania but currently based in Germany- who effortlessly blend Russian constructivism, Bauhaus architectural references, a strong historical sense and a dash of whimsy in their colorful, graphic work. This is their first exhibition in a New York gallery.

der osten im norden des westens [Team]
Interview with Gert and Uwe Tobias [veoh.com]

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